这章考察了好莱坞电影制片厂系统的“黄金时代”，并探讨了美国电影史上这一时期一种特殊的电影制作方式是如何发展起来的。
This chapter examines the "Golden Age" of the Hollywood film studio system and explores how a particular kind of filmmaking developed during this period in US film history.
但《时代》(Time)杂志的编辑JoshQuittner爆料称这一改变还是一种削减预算的措施。
But Josh Quittner, an editor with Time magazine, revealed that the change was also done as a cost-cutting measure.
至于随后出现的中间时代的喜剧，观察它是什么，再看这一新的喜剧是因什么目的被引进的，它渐渐地流为一种仅仅插科打诨的技巧。
But as to the middle comedy which came next, observe what it was, and again, for what object the new comedy was introduced, which gradually sunk down into a mere mimic artifice.
本文试图探讨这一形象变迁过程中体现出的不同时代、不同作者的女性观念以及发生这样一种观念嬗变的原因。
This article is at the aim of seeking the female consciousness of different time and different author as well as the causes which lead to these great change.
在一个冷漠、性情乖僻的时代，这一启示是要提醒我们注意一种不引人注目、很少受到人们足够的称赞或颂扬的人类品质：宽厚。
The lesson, in a cold and mean-spirited age, is to remind us of a quiet human quality that is seldom adequately praised or celebrated: Grace.
然而有一种微妙的情感纽带却维系了他们的关系长达数十年之久，这一切要从男孩们在伊利诺斯州埃文斯顿城的少年时代说起，直到威利-考克斯于1973年二月因心脏病意外去世，他只有48岁。
Yet the bond that existed between these physical opposites would survive decades, from their boyhoods in Evanston, Illinois, and even beyond Cox's death in February 1973 of a heart attack. He was 48.
然而有一种微妙的情感纽带却维系了他们的关系长达数十年之久，这一切要从男孩们在伊利诺斯州埃文斯顿城的少年时代说起，直到威利-考克斯于1973年二月因心脏病意外去世，他只有48岁。
Yet the bond that existed between these physical opposites would survive decades, from their boyhoods in Evanston, Illinois, and even beyond Cox's death in February 1973 of a heart attack. He was 48.
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