坎比形容《大地惊雷》是“一部最具反叛意味也最具娱乐性的经典边缘电影”。
Canby described "True Grit" as "a classic frontier fable that manages to be most entertaining even when it's being most reactionary."
在费里尼的电影《大路》中，马戏团演员生活在社会的边缘。但在华尔街，他们赚了几百万，过着神仙般的生活。
In Fellini's film La Strada, the circus artists lived on the margins of society; in the Wall Street circus, they lived like gods, making millions.
她们说她们确实需要一部表现女同性恋者的边缘式的生活的电影，但是这些电影应该表现出这种关系的真实一面。
They said that they really need films to be made about the marginalized lifestyles of lesbian women, but these films should show the reality of these relationships, "Abbasgholizadeh said."
数字化拷贝的盗版电影和音乐在世界边缘地区泛滥。
Pirated digital copies of movies and music show up in the most remote parts of the world.
不得不承认电影的结局更妙，否则影片传递的信息就成了：“核能边缘政策是场危险的游戏，但最终可能也不会有什么问题。”
You have to admit the film's ending is superior, because otherwise the message becomes, "Nuclear brinksmanship is a dangerous game, but it will probably turn out Ok in the end."
这部电影忠于莫里森和快特利的漫画，他们的边缘科学、天文行动、真切浪漫和幽默都保持了原汁原味。
The film remains faithful to Morrison and Quitely's comics without watering down their fringe science, astronomical action, earnest romance and envelope-pushing comedy.
一个像“超级科伦拜”的游戏，或者像“德州电锯杀人狂”的电影，会不会把已经在崩溃边缘的人彻底推下去？
Does a game like Super Columbine, or a movie like the Texas Chainsaw Massacre, supply that final push to those people already on the edge?
《黑暗边缘》改编自一部1985年的英国电视剧，讲述的是一名警察寻找杀害其女儿凶手的故事，这部电影被指与去年利亚姆·尼森的卖座电影《飓风营救》情节雷同。
Edge of Darkness, based on the 1985 Brit TV drama about a cop searching for his daughter's killers, bears a resemblance to last year's Liam Neeson hit Taken.
1987年，她丝毫不加掩饰的自传《来自边缘的明信片》成了一本畅销书。这本书后来还于1990年被改编成电影，由雪莉·麦克雷恩和梅丽尔·斯特里普主演。
In 1987, her thinly veiled autobiography "Postcards From the Edge" became a best-seller. It was adapted into a 1990 movie starring Shirley MacLaine and Meryl Streep.
第六代电影专注于讲述位于社会边缘的个体生命孤独地期待和寻找的故事。
The Sixth Generation Film concentrate its attention on the story which a lonely person at the edge of society is expecting and seeking something.
电影越来越紧张，最后大家不知不觉地坐到椅子边缘上了。
The film became more and more exciting, until at length people were sitting on the edge of their chairs.
电影经历了艰苦的边缘和细节丢失，从而只是一个粗略近似真实的事情。
Pictures had a rough edge and details were missing, giving only a rough approximation of the real thing.
当今时代电影的扩张和文学的边缘化已成事实。
The extension of movie and marginal literature is a fact of the time.
传统与现代、艺术与商业、主流与边缘在整合与圆融中建构当代电影的新世俗神话，通过“泛审美”的美学关联，实现艺术与大众、市场的良性互动。
Then, new mortal mythology occurs by combining tradition and modernity, art and commerce, mainstream and marginality, so as to lead art in a favorable cycle.
各类边缘人群的代表——女性、黑人、爵士乐爱好者——都出来发声了，把这部电影拉下了一个档次。
Representatives of various marginalized communities – women, African Americans, and jazz lovers – emerged to take the film down a peg.
第三部分是“边缘并中心着——以‘第六代’边缘化的后现代色彩电影为例”。
The third part is"marginal and the centre–'sixth generation'after the marginalization of the film as an example of modern style."
第三部分是“边缘并中心着——以‘第六代’边缘化的后现代色彩电影为例”。
The third part is"marginal and the centre–'sixth generation'after the marginalization of the film as an example of modern style."
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