中国园林是中国古典文化的载体，她所蕴含的趣味与美学是无穷的。
The classical Chinese garden is Chinese classical allusion culture carrier. Her interest and aesthetics is infinite.
中国古建筑脊饰题材丰富，雕琢精美，具有独特的美学趣味。
The Chinese ancient constructs a ridge decoration a topic to enrich, chiseling and carving elegant, have special esthetics interest.
这些变化不但改变着我国流行音乐的文化特征和美学价值，也具体而微地塑造着人们的生活趣味和审美风尚。
These changes not only to change the pop music of our cultural identity and aesthetic values, but also to create miniature people's aesthetic tastes and habits of life.
他的诗和词在情感表达上有脉络相通之处，而在美学趣味上体现出不同的追求。
The poems and Ci-verses by Wen Tingyun expressed same emotional implication, but the aesthetic perceptions in them were different.
梁启超的美学思想是崇尚趣味主义的人生美学。
Liang Qichao's aesthetic thoughts are of taste-oriented life aesthetics.
朴素作为一种艺术风格或审美趣味，在中国古代美学史上具有特殊的意义。
As an artistic style or an aesthetic interest, simplicity has its special meaning in the ancient Chinese aesthetics.
冯至散文的诗性品质表现形而上的超验意味，和冯至作为诗人的性格气质、趣味才情和美学追求紧密联系一起；
The poetic character of FengZhi's essay is expressed on the transcended meaning, collected with the poet's temperament, taste and aesthetic seeking.
在布迪厄眼里，趣味不是经典美学所宣称的普遍的、形式至上的，而是由场域历史建构的。
From Pierre Bourdieu's view, the taste is not a common sense or the form above which is claimed by classical aesthetics, but is formed by the history of construction field.
东西方美学观念长久以来都有着很大的差异，但步入近现代以来，东西方艺术审美趣味出现了逆向对流。
There have been great differences between the eastern and western aesthetic values for a long time. But since the modern times, it reversed between the eastern and western artistic aesthetic tastes.
因此，对“趣味”范畴进行深入研究，使趣味理论系统化，这对进一步研究当代审美趣味，拓宽美学研究的思路有重要意义。
It's significant for the further study of modern taste and the vision extension on it to probe deeply into the concept 'taste' and make its theories systemized.
第二部分系统地介绍了梁启超人生美学思想的主要内容。包含了生活的趣味化，人生态度和人生价值，情感和艺术三个层面。
The second part systematically introduces the main content of Liang's life aesthetic, including tasteful life, the view and value of life, and the emotion and art.
梁启超的趣味，既是对待现实生活的一种主观态度，亦是生命价值体现的形式，还是他人生美学思想的核心。
The Liang Qichao's taste is both a subjective attitude toward real life and a form of the embodiment of life value and the core of his thoughts of life aesthetics.
显示了汉唐美学趣味迥然不同。
Because the aesthetic concepts prevailing during the Han and Tang dynasties were different.
这种美学思想受到了他认识论的很大影响，本文就将着重从认识论影响的角度出发对其趣味主义美学思想作出阐释。
The epistemology issues related to the taste-oriented aesthetic thought mainly manifest in two aspects:First, for the content level, the knowledge can be divided into two categories:Science.
这使得他的艺术，不仅在美学的趣味上调和了东西方的审美差异，也具有这个时代的特色。
Therefore, his art has not only harmonized the East and the West in terms of aesthetic tastes, but also present the unique features of this age.
在美学史上，第一个从理论上明确提出“趣味”问题的是18世纪英国经验主义美学家休谟。
In the history of aesthetics, David Hume, a 18th century British empirical aesthetician, was the first person explicitly stated the idea of "taste".
趣味性逐渐成为当代工业产品美学中的重要特征，充满趣味性的设计更加符合人们情感的需求。
The interest has become one important character in the modern aesthesis of industrial products, the design which full of interest are more suitable for people's emotional needs.
一种基于传统审美趣味和美学标准之上的摄影观看方式，决定着“影画合璧”的面貌。
A way of photographic vision basing on traditional aesthetics and art standards decided this visage of combination of photography and painting.
一种基于传统审美趣味和美学标准之上的摄影观看方式，决定着“影画合璧”的面貌。
A way of photographic vision basing on traditional aesthetics and art standards decided this visage of combination of photography and painting.
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