作者通过人物提出的是人的生命观，深重的荒诞感以及如何超越荒诞等问题。
The questions raised by the characters created by the author are concerned with human beings value of life, deep absurdity and how to surpass absurdity.
只有死亡可以震撼人的虚伪和冷漠并超越精神栅栏和荒诞的现实。
Only death can shake hypocrisy and indifference and transcend spiritual bars and absurd reality.
如果承认人具有超越性需求的话，不至于陷入一种荒诞之中，那么“神圣追求”就成了必要。
If it is recognized that all people have the transcendental needs, "the pursuit of the divinity" will become a necessity.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
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