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本文论题的范围是贝多芬钢琴奏鸣曲第一首(0P.1n01)至第八首(OP .13)。
This article topics range from Beethoven's Piano Sonata first song (0p. 1n01) to the eighth (OP. 13).
2004年至今他曾在20个城市演奏了32首贝多芬钢琴奏鸣曲，其中在苏黎世市政厅的演出进行了现场录音。
Since 2004 he has performed complete cycles of the 32 Beethoven Piano Sonatas in 20 cities, and the cycle in the Zurich Tonhalle was recorded live.
哥本哈根三重奏组合在哥本哈根蒂沃利音乐厅，举办了三场音乐会演奏贝多芬钢琴三重奏的所有曲目，获得了极大的成功。
Trio con Brio Copenhagen performed all the Beethoven piano trios in a cycle of three concerts at the Tivoli Concert Hall in Copenhagen with great success.
安东o科迪是当今世界录音最多的钢琴家之一，他灌录了所有的贝多芬钢琴协奏曲以及奏鸣曲，舒伯特钢琴奏鸣曲，勃拉姆斯钢琴协奏曲等。
Anton Kuerti is one of today's most recorded artists having put on disc all the Beethoven Concertos and Sonatas the Schubert Sonatas the Brahms Concertos and works by many other composers.
他还将贝多芬的钢琴风格描述为“粗糙”，而更著名的是把他自己描述为“无礼的毛头小伙子”。
He also described Beethoven's piano style as "rough", and more famously the man himself as "an unlicked bear cub".
贝多芬并没有继承莫扎特与海顿的风格，他的前两部作品首次公演时，在大提琴家皮埃尔·迪波尔的协奏下，衬托得钢琴部分更加精巧华丽。
Beethoven, who had no precedents in the genre by Mozart or Haydn to emulate, performed the premieres of the two works, whose piano parts are more virtuosic, with the cellist Jean-Pierre Duport.
他把听众带到了另外一种境界，他们不再考虑技巧或纯粹的钢琴性，而是与音乐直接交流，与贝多芬本人直接交流。
He moved the audience onto another plane where they stopped thinking about technique, or mere pianism, and came face to face with the music, with Beethoven himself.
贝多芬创作的五部大提琴与钢琴奏鸣曲代表了其一生创作的三个精华阶段。
Beethoven's five sonatas for cello and piano represent his three major creative periods.
今天下午有一场贝多芬的钢琴音乐会。
举世公认的作曲家贝多芬，年仅8岁即初次登台演奏钢琴。
Beethoven is widely regarded as one of the greatest composers in history. He gave his first public performance as a pianist when he was only 8 years old.
第二张桌子上是完成了一半的贝多芬交响曲，是车尔尼为另一个出版商改编的钢琴二重奏。
At the second desk was a half-finished set of Beethoven's symphonies that Czerny was arranging for piano duet for another publisher.
贝多芬通过自个人艰苦奋斗实现美好理想的音乐理念，是他钢琴奏鸣曲中独特艺术个性形成的思想基础。
Beethoven through individual is it realize bright ideal music idea to live plainly and struggle hard since, his piano unique artistic thought foundation that individual character form in the sonata.
贝多芬坐在钢琴前面，弹起盲姑娘刚才弹的那首曲子来。
Beethoven sits in the piano front, playing to rise that song that blind miss just now play.
贝多芬最初是向他父亲学弹钢琴和拉小提琴的。
Beethoven's % first lessons for piano and violin were from his father.
论文以贝多芬三十二首钢琴奏鸣曲为例，对“乐段结构”进行了较为深入的研究。
Taking thirty-two Beethoven piano sonatas as examples, this paper presents a thorough investigation on period structure.
没有谁真正沉醉于一本小说或一幅画，但谁能克制住不沉醉于贝多芬的第九交响乐、巴脱克的钢琴二重奏鸣曲、打击乐以及“硬壳虫”乐队的白色唱片集呢？
No one can get really drunk on a novel or a painting, but who can help getting drunk on Beethoven's Ninth, Bartok's Sonata for Two Pianos and Percussion, or the Beatles' White Album?
贝多芬在这段充满烦恼的晚年时期写出了代表他天才顶峰的最后五部伟大的钢琴奏鸣曲、《第九交响曲》和后期的弦乐四重奏。
The last five great piano sonatas, the Ninth Symphony and the later string quartets represent the climax of Beethoven's genius during this troubled later period.
贝多芬和舒伯特都对钢琴奏鸣曲情有独钟，他们都曾写出了辉煌的作品。
Both Beethoven and Schebert had special attachment to piano sonata and they had composed brilliant music.
我们可以得出这样一个结论，通过使用正确的方法，我们的学习速率可以更加接近莫扎特、贝多芬、李斯特和肖邦这些钢琴大师们。
The conclusion we should draw here is that, with the proper methods, our learning rates should be pretty close to those of the famous composers such as Mozart, Beethoven, Liszt, and Chopin.
由贝多芬(1770- 1827)。单件的钢琴独奏。未成年人。5页。出版哈尔·伦纳德。
By Ludwig van Beethoven (1770-1827). Single piece for solo piano. A Minor. 5 pages. Published by Hal Leonard.
贝多芬的钢琴奏鸣曲，可以说是他所有音乐创作中最重要的一类作品，所占地位仅次于他的交响曲。
And Beethoven's Piano Sonata, can be said that all of his music the most important kind of work, he occupied the status of the symphony behind.
但是对于贝多芬、莫扎特他们来说——他们一看到钢琴，自然而然就能演奏。
But Beethoven, Mozart — They saw it. They could just play. I couldn't paint you a picture.
这份长达80页的手稿不仅是贝多芬的一部主要作品的唯一钢琴演奏版，也是他创作的为数不多的钢琴二重奏乐谱之一。
Not only is the 80-page document a working manuscript for the only piano version of a major work by Beethoven, it is one of his few compositions for a piano duet.
我们将贝多芬的晚期五首钢琴奏鸣曲深入到艺术特色与精神境界的范畴去研究符合国际趋势。
This paper is divided into four components, from the side and front an overview of the Beethoven late sonata artistic features and the spiritual realm.
贝多芬第4,5,9号钢琴与小提琴奏鸣曲。
贝多芬第4,5,9号钢琴与小提琴奏鸣曲。
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