由戈达尔设计的展区原计划包括九个展室，要设立象征性的场景，用绘画，照片，机械部件和钉着书的桌子装饰，还要用显示屏幕连续播放影片。
The exhibition was planned to consist of nine rooms, symbolic settings decorated with paintings, photographs, machines, books nailed to tables and video screens where films would play continuously.
在小说中，作者凭藉具有象征色彩的场景和人物来表现其非现实性。以阿美寮为代表的场景象征性地表现了作者对于现实世界和理想世界的复杂思考，蕴含了对人际温情的渴盼。
The symbolical setting focusing on the protagonist Amiyou reflects the writer's thought of the real world and the ideal world, implying of the writer's longing for human tenderness.
在曾梵志同期的象征性作品中充斥著险象环生，四面受敌的场景。
In Zeng's figurative works from this same period, his canvases are dense with an insurmountable and hostile landscape.
在曾梵志同期的象征性作品中充斥著险象环生，四面受敌的场景。
In Zeng's figurative works from this same period, his canvases are dense with an insurmountable and hostile landscape.
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