本文的理论支持主要来源于三个方面，分别为：可译性的相关理论，俄国形式主义学派的文学批评理论，以及读者接受美学理论。
The theoretical foundation is established on the basis of the related theories on the general translatability, the Russian formalist literary criticism, and the reader's reception aesthetics.
本文以接受美学理论和目的论为理论依据，通过描述分析法来探讨译文读者在林纾翻译中的角色。
Based on the theory of Reception Aesthetics and the Skopostheorie, this thesis attempts to adopt a descriptive-explanatory method to explore the target readers role in Lin Shu s translation.
接受美学认为，一部文学作品的历史生命如果没有读者的参与是不可想象的。
According to Reception Aesthetics, the historical life of a literary work is unthinkable without the active participation of the readers.
接受美学产生之前，人们在研究文艺现象的时候很少关注到读者的因素。
Before accept esthetics produced, people in research literary arts phenomenon pays very little attention to the factor of readers.
在接受美学的观照下，我们得以窥见不同身份立场、不同文化背景的读者对《史记》作出的不同接纳反应。
In the light of reception aesthetics, we can see the different receptive response from readers with different status, different positions and different culture backgrounds.
笔者根据奈达的翻译对等理论，阐释了文学翻译中的美学对等，并且强调了读者的接受。
In the light of Nida's equivalence theory, the writer explains the aesthetic equivalence and highlights the readers' acceptability.
尧斯认为文学的历史是一种美学接受与生产的过程，这个过程要通过接受的读者、反思的批评家和再创作的作家将作品现实化才能进行。
Jauss also thinks that history of literature is a process of aesthetic reception literary text on the part of the receptive reader, the reflective critic and the author in his continuing productivity.
接受美学强调以“读者”为中心，其积极意义是毋庸置疑的。
Reception aesthetics emphasizes on centering around readers, the advantages of which are of no doubt.
从接受美学角度看，《传奇》既满足了读者的期待视野又打破超越了读者的期待视野，这正是《传奇》的魅力之所在。
From the Angle of Reception-Aesthetics, the Legend both satisfies and breaks through the readers horizon of expectation, which is the great charm of the Legend.
后来，西方兴起的接受美学，也强调读者中心，正与中国的玄学论文艺观不谋而合。
Afterwards, the reception aesthetics arising in the west also emphasizes the readers'central role, which is consistent with the Chinese metaphysical literary theories.
泰戈尔的散文诗中包含着中国诗歌的美学品质，因而特别容易为中国读者所接受。
In Tagore's prose poetry there are the aesthetic qualities of the Chinese poetry and therefore it is particularly easy for the Chinese reader to read his prose poetry.
接受美学理论在翻译研究中的应用引起了研究者对译者与译文读者接受过程的关注。
Application of the theory into translation studies brings to our attention the reception processes by translators and target language readers respectively.
接受美学理论在翻译研究中的应用引起了研究者对译者与译文读者接受过程的关注。
Also application of the theory into translation studies brings to our attention the reception processes by translators and target language readers respectively.
接受美学将注意力放在译文读者的接受上，对旅游翻译有很大的启示意义。
Aesthetics of reception pays much attention on the reception of target readers, thus exerts great significance on tourist translation.
接受美学理论有助于我们更好的理解读者在翻译过程中所起到的重要作用。
The Aesthetic Reception theory will help us to understand the role of the readers in the translation activity.
刘勰《文心雕龙·知音》篇是中国古代较为完整的批评和接受理论，若以现代西方接受美学的视角进行观照，则“知音”批评也是以读者为核心建立起来的批评理论；
The "Zhi Yin"in Liu Xie's Carving a Dragon at the Core of Literature is the more perfect theory of criticism and acceptance in ancient China.
接受美学、读者反应等理论给翻译过程中读者主体的研究予启发。
Aesthetics of reception theory, target reader's response and other theories have enlightened the study of reader subjectivity.
接受美学理论在翻译研究中的应用引起了研究者对译者与译文读者接受过程的关注。
Application of the theory into translation studies brings our attention to the reception processes by translators and target language readers respectively.
接受美学重新定义了读者的作用和地位，认为读者在选择源语文本和翻译策略时起非常重要的作用。
Reception aesthetics redefines the role and status of readers and argues that readers play an important role in the choices of original texts and translation techniques.
另一方面，接受美学是一种很强调读者能动作用的文学批评理论，而读者的能动作用在以前又往往被忽略掉。
On the other hand, aesthetics of reception is a theory of literary criticism which emphasizes the dynamic role of the reader which used to be overlooked.
接受美学学派为了考察读者的审美过程和审美感受 ，先后提出了各种各样的读者范型。
In order to observe the aesthetic activities and response in the reading process, the theorists of reception-response put forward some models of reader.
接受美学作为一种文学批评理论，最大的特点就是注重读者的接受，强调读者的位置。
Aesthetic reception is a literary criticism theory, which focuses on the readers 'reception and emphasizes the place of the reader.
80年代初，中国学者开始以西方接受美学为参照，重新审视中国文论中有关读者的审美接受思想。
Since the early 1980s, Chinese scholars, in the light of the receptive aesthetics of the west, have begun to rethink of receptive aesthetic thoughts of readers in Chinese writing critics.
80年代初，中国学者开始以西方接受美学为参照，重新审视中国文论中有关读者的审美接受思想。
Since the early 1980s, Chinese scholars, in the light of the receptive aesthetics of the west, have begun to rethink of receptive aesthetic thoughts of readers in Chinese writing critics.
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