研究中国文艺美学应注意诗乐书画各门艺术范畴的融合相通。
Studying China's literature and art aesthetics should notice the integration of every artistic category such as poem, music, calligraphy and draw.
总之，本文力图从文学、美学、哲学的角度对《诗》的实用性作深层次的思索，以期能从这一侧面对文学实用的方法加以理性地把握。
In brief, the author makes deep thinking about using Poems through literature, aesthetics, philosophy, and grasp the essence of practical literature rationally from this aspect.
总结部分指出我们对理解莎士比亚十四行诗所应采取的正确态度及十四行诗的时代意义和美学价值。
The conclusion points out the historical significance and aesthetic values of the Sonnets, and tries to show the right attitude we should take towards Shakespeare's Sonnets.
他的诗和词在情感表达上有脉络相通之处，而在美学趣味上体现出不同的追求。
The poems and Ci-verses by Wen Tingyun expressed same emotional implication, but the aesthetic perceptions in them were different.
王维、陶渊明的田园山水诗均属优美的美学范畴，以平淡、静谧为主要风格。
Wang Wei's Idyll and Tao Yuanming's Idyll both fall into the aesthetic category of "beauty", with tranquility and nonchalance as their main style.
中国古代山水诗由此也就表达出一个“追忆”主题，表现出一种荒野的美学。
The Chinese ancient nature poetry thus expresses a "recall" theme also, and show the wilderness aesthetics characteristics.
诗应该讲究诗美，散文应该讲究散文美，这是基本的美学原则之一。
Poetry should have poetic beauty, and prose should have prosaic beauty-this is one of the basic an esthetics principles.
道家美学与中国诗的开放式的语言更直接导致了庞德领衔的美国意象派现代诗的诞生。
The open - style language of Taoist aesthetics and Chinese poetry led to the birth of Ezra Pound' s imagist poems.
美国现代诗对“物自性”的追寻，正是以道家美学为重要触媒的。
The pursuit of the "thing itself" in modern American poetry is exactly using the Taoist aesthetics as its important media.
本文拟从语言学，美学和修辞学三个角度，对译诗进行分析，提出了自己认识和观点。
This thesis tries analyzing the translation of poems in three aspects: linguistics, aesthetics and rhetorics.
本文从天山高、天山雪、天山松、天山路、天山湖泊诸方面论述了清代天山诗的美学价值。
The essay gives ar analysis of the aesthetical value of the Qing Dynasty poems embodied in the height, snow, pines, paths and lakes of the mountains.
本文论述现代叙事诗的几种基本结构模式及其美学特征、构思类型和形式美追求。
This article discusses several basic structural modes, aesthetic features, conception types and the pursuing of formal beauty of modern narrative poems.
第一个时期以作者二十四岁时的《丙申诗序》为标志，提出了以“远”字为中心的美学纲领，可以称为萌芽阶段。
Bingshen Shi Xu, a book written by him when he was twenty-four, marks the first stage, a budding stage, putting forward the aesthetic creed around the concept of Yuan or farness.
形式整齐，声韵和谐，音节鲜明，语言洗练，是《老马》这首诗的美学特征。
The poem has such aesthetic features as formal regularity, prosodic harmony, syllabic distinctiveness and concise diction.
深入地研讨这两首诗的思想意义和美学价值，对于当代的诗歌创作不无启迪。
To deeply deliberate the thinking, meaning and the aesthetics value of the poems has great inspiration for contemporary poetic creation.
殷璠的诗美学在盛唐美学中作出了独特的贡献，有着显著的地位。
Yin Pan's Poetic aesthetics makes great contribution to aesthetics in prosperous Tang Dynasty.
对王维边塞诗《使至塞上》的诸多误解、曲解，不仅损害该诗积极向上的思想意义、雄迈豪逸的格调，更贬低了它崇高的美学价值。
The misunderstanding of Wang Wei's poem "Ode to the Frontier" not only damages the up-going significance and the rich and powerful character of the poem, but also reduces its aesthetic value.
题画诗不仅诗中有画，有些诗还借画境阐发诗画理论和美学思想，这是诗画艺术又一种形式的融通。
Some poems in the painting elucidate poetic, painterly theories and aesthetic thought through portraying of picturesque scenes. It is another form of blending between poetry and painting.
“朦胧诗”是“传统诗学精神的复苏”而非“新美学原则的崛起”。
Misty poetry is the resuscitation of traditional poetics, by no means of new esthetics principle growing up.
本文以唐宋诗歌具体作品为例，从六个方面概括了“半”字入诗的哲理蕴含与美学价值。
The paper takes material poems of Tang and Song Dynasties for example, generalizes the philosophic connotation and aesthetic value of the "half" in the poems.
诗与画的关系是中国古代艺术美学中一个重要的理论和实践问题。
The relation between poem and painting is an important theories and practice problems in the Chinese ancient art esthetics.
宋代诗学中的崇陶现象，其时对陶渊明诗文的接受与阐释，在极大地提高了陶诗声名的同时，也奠定了平淡一格在中国文论史、美学史上的重要地位。
It is by Song Dynasty poetics that Tao Yuanming and his poems' reputation is greatly increased, and thus decides the significant status of "Plain style" in Chinese poetics and aesthetic history.
嵇诗之清峻的独特性，在于作为美学概念的“峻”还有阳刚美的内涵，只有这一点才可与“清”相统一相补充。
The unique characteristic of Ji Poems' "Qing Jun" lies in its aesthetically masculineness of "Jun", which is complementary to "Qing".
其《河岳英灵集》“序”、“集论”在“选”、“评”两方面都有重要建树。他提出了“兴象”的诗美学范畴，成为对盛唐诗美的最好说明、阐解，也成为中国诗美学的重要范畴。
He puts forward special category of poetic aesthetics, which becomes the best illustration of aesthetics in prosperous Tang Dynasty and important category of Chinese poetic aesthetics.
笔者试图以牛汉诗歌美学风格的变化为切入点，对“七月”诗派与“九叶”诗派在审美品格、思想文化渊源、诗艺特点等方面进行历时性的比较研究。
The paper has conducted a comprehensive study on looking into the aspects of aesthetic character, the source of ideological culture between "July Style" and "Nine Leaves Style" poets.
本文从美学的视角，宏观上论述山水画与题画诗在形式上的相似点与艺术表现上的不同点。
From the Angle of aesthetics, this article has mainly elaborated the formal similarities of the landscape paintings and its marked poems, also the differences in art expression has been discussed.
意境，是中国传统美学和艺术创作的一个核心问题，它是诗画艺术的灵魂，历来被艺术家视为最高的美学追求。
Artistic conception, a core issue of Chinese traditional aesthetics and artistic creation, is the soul of art of poetry and painting which has always been regarded as the highest aesthetic pursuit.
“诗，可以兴”无涉于艺术或美学问题，而仅仅指特定场合下对于诗句的引用。
Poetry, is out of Xing refers to not the artistic aesthetics, but the quotation of poetry in specific circumstances.
在评述了昆虫诗的基本内容以及不同昆虫类群的意象和文化内涵基础上，也探讨了昆虫诗所体现的社会价值和美学价值。
The main contents of the poems relating to insects, the images and cultural connotation of different insects are reviewed in this paper. Furthermore, the social and aesth…
因此，一方面“诗无达诂”，诗歌难译，另一方面诗歌的翻译必须要从美学的高度进行审视和检验。
As a result, a poem has no final reading and is difficult to be translated on the one hand;
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