意大利体式的十四行诗通常也叫彼得拉克体，彼得拉克创作了由317首十四行诗的组成的诗集--"Canzonieri"，这部诗集确立了欧洲十四行诗的主要形式。
The Italian sonnet form is commony called the Petrarchan sonnet, because Petrarch's "Canzonieri, " a sequence of poems including 317 sonnets, established the sonnet as a major form in European poetry.
作为“歌体诗”的重要代表作家，秋瑾的“歌体诗”实践有力推进了近代诗歌的体式变革。
Being a significant representative writer of "song form poetry", Qiu Jins practice in this respect gives vigorous impetus to the transformation of the form of modern poems and songs.
文学史研究者一般都视句句韵变隔句韵为中古七言体式转型的标志，本文进一步探讨了七古在杂言诗催化之下由句句韵变为隔句韵的背景和原因。
The change from rhyming every line to every other lines generally viewed as the symbol of the style transformation of mid-ancient seven-character poems.
文学史研究者一般都视句句韵变隔句韵为中古七言体式转型的标志，本文进一步探讨了七古在杂言诗催化之下由句句韵变为隔句韵的背景和原因。
The change from rhyming every line to every other lines generally viewed as the symbol of the style transformation of mid-ancient seven-character poems.
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