这是我们要读到的所有诗人的背景知识。
因着诗篇有王室的背景,也有释经家认为诗人指的肯定是军事上的危机。
Others argue that given the royal context of the psalm, the psalmist must have been referring to a military crisis.
仅仅阅读诗人的生平和作品是不够的,你必须就其背景多做阅读来了解他所反映的文学动态。
It's not enough to have read the poet's life and works, You must read around the subjects and see how far he reflects more general movements in literature.
这种抒情风格的巨大变化是时代背景和诗人创作心理双重变化的结果。
The great change of lyric style is the result of the double changes of the background of era and the author's creative psychology.
他说:“由于我的背景的缘故,有人称我为自然诗人,但我并不只是一个自然诗人,在我的诗中,你总能发现一点别的东西。”
He said that "Because of my background, someone call me nature poet but I am not only a nature poet and you can find something else in my poems".
在诗歌创作与翻译的认知过程中,一些意象被诗人或者译者突出识别为角色,而另一些则被淡化为背景。
In the cognitive process of poetry writing and translation, certain imageries are recognized by poets or translators as characters, while others neglected to be a part of background.
从40年代初期到40年代中后期,穆旦作为学院派青年诗人受到老一代诗人的重视,同时得到具有学院背景的青年批评家的积极评价。
From the early 40s to the late 40s, Mu Dan, as a younger academic poet, received more attention from the older generation and was highly appraised by the young critics of the academic background.
并在这部分结束时指出个人抒情空间的开创在30年代文坛背景下存在的价值,以及部分诗人由于过分沉湎于其中而使自己的创作缺乏审美距离的现象。
In the last part of this chapter, we point out it's value under the background of the 1930s and the phenomenon of their lack of aesthetic.
并在这部分结束时指出个人抒情空间的开创在30年代文坛背景下存在的价值,以及部分诗人由于过分沉湎于其中而使自己的创作缺乏审美距离的现象。
In the last part of this chapter, we point out it's value under the background of the 1930s and the phenomenon of their lack of aesthetic.
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