本篇论文主要是研究白居易的讽谕诗。
This essay mainly analyses the critical poems of Pak Toi Yick.
白居易的讽谕诗是我国古代最自觉最典型的因而也是最具有代表性的讽谕诗。
The allegorical poems by Bai Juyi were the most typical and therefore the most conscious ones in the ancient time of our country.
从这种意义上说，唐代讽谕文创作的贡献在于提升了中国古代散文的艺术价值。
In this point, allegoric prose in Tang Dynasty contributes to the consideration of artistic value of Chinese ancient prose.
这种文体特征的形成与我国古代的寓言故事、讽谕诗以及民间的笑文化有明显的渊源关系。
There is a conspicuous relationship of origin between the formation of such a style and the traditional Chinese allegories and satiric verse, and popular culture of ridicule.
在对《长恨歌》主题的研判中，持“讽谕说”者在认识、理解乃至研究方法等方面，存在着较为明显的偏颇。
In researches and assessment on the themes of Long Regret Song, a fairly obvious prejudice exists among those who hold the parable theory in understanding and in their research method.
元和十年(815)，白居易在《与元九书》将自己的诗歌分为四类：讽谕诗、闲适诗、感伤诗与杂律，他还对这四类诗做了界定。
In the Tenth Year of Yuanhe (815 AD), Bai Juyi categorized his poems into four types: satirical poems, leisure poems, sentimental poems and unregulated verses. He further defined the four types.
元和十年(815)，白居易在《与元九书》将自己的诗歌分为四类：讽谕诗、闲适诗、感伤诗与杂律，他还对这四类诗做了界定。
In the Tenth Year of Yuanhe (815 AD), Bai Juyi categorized his poems into four types: satirical poems, leisure poems, sentimental poems and unregulated verses. He further defined the four types.
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