本文以解构主义和目的论为理论基础，旨在从译者主体性的角度来探讨中国古典诗歌英译。
On the basis of deconstruction theory and Skopos theory, this thesis attempts to probe into the translation of Chinese classical poetry into English from the perspective of translator's subjectivity.
更为糟糕的是，对译者主体性的过分夸大和宣传造势甚至造成了译者主体性与译者中心论的界线模糊。
What's worse, the translator's subjectivity has been stretched to the point of blurring the boundaries between itself and translator-centeredness.
在“原文中心论”的影响下，译者的主体性不断地遭到制约，译者失去了自己的声音，成为了“隐形译者”。
Translator's subjectivity is suppressed under the domination of source-text-oriented approach to translation studies. Translators lose their voices in the target-text and become invisible.
同时，操纵学派、阐释学、多元系统理论、目的论这些翻译学新论也为译者主体地位的确立和译者主体性研究提供了充分的理论依据。
At the same time, many new theories, such as the manipulation theory, hermeneutics and Skopos theory, provided a theoretical basis for the study of the translator's subjectivity.
同时，操纵学派、阐释学、多元系统理论、目的论这些翻译学新论也为译者主体地位的确立和译者主体性研究提供了充分的理论依据。
At the same time, many new theories, such as the manipulation theory, hermeneutics and Skopos theory, provided a theoretical basis for the study of the translator's subjectivity.
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