视觉文化时代的来临，不但标志着一种文化形态的转变和形成，也意味着建筑思维范式的转换。
The coming times of visual culture not only marks the changes and new formation of cultural types, also implies the conversion of architectural creation paradigm.
视觉与听觉属于审美消费过程中的两种范式，前者偏重于理性，后者偏向于感性。
Vision and audition are two modes of aesthetic process, with the former focusing on rationality and the latter on perception.
与此同时，作为对文学审美范式转换的一个背景，探究了新媒体与视觉文化的崛起对文学构成的压力。
At the same time, as a background of the change in aesthetic paradigm of literature, it probes into the pressure of the rising of new media and visual culture on literature.
实验采用眼动跟踪技术和视觉搜索范式，共有16名被试参加。
The experiment adopted the technology of eye movement tracking and the visual search tasks, and 16 participants were tested.
采用视觉搜索任务范式，以不同视觉工作记忆容量大学生为被试，探讨了视觉工作记忆对自上而下注意控制的影响。
Using the visual search task paradigm, this study examined the influence of visual working memory on top-down attentional control.
采用视觉呈现干扰词的图片—词干扰实验范式，探讨产生不同语法结构时言语产生汉语词类信息的加工进程。
Using the picture-word interference paradigm, the study probed into the activation of word class information in Chinese speech production.
采用视觉呈现干扰词的图片—词干扰实验范式，探讨产生不同语法结构时言语产生汉语词类信息的加工进程。
The time course of processing Chinese word-class information under different syntactic constructions were examined through three experiments.
采用视觉呈现干扰词的图片—词干扰实验范式，探讨产生不同语法结构时言语产生汉语词类信息的加工进程。
The time course of processing Chinese word-class information under different syntactic constructions were examined through three experiments.
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