新西兰维塔数码的乔•莱特瑞是这部电影的视效总监，他和他的团队制造了一个雕像，然后用激光对雕像进行扫描，从而创造了一个数码的三维模型。
The film's visual effects supervisor, Joe Letteri at Weta Digital, in New Zealand, and his team created a sculpture which was scanned using lasers to create a digital, three-dimensional model.
新西兰维塔数码的乔•莱特瑞是这部电影的视效总监，他和他的团队制造了一个雕像，然后用激光对雕像进行扫描，从而创造了一个数码的三维模型。
The film's visual effects supervisor, Joe Letteri at Weta Digital, in New Zealand, and his team created a sculpture which was scanned using lasers to create a digital, three-dimensional model.
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