从某种意义上说，一部西方音乐史也就是一部表现音乐体裁兴衰嬗变的历史。
To some extent, history of western Music is seem to be a history that reflect the music genre's development and change .
本文对西方音乐史中音乐与诗的关系进行了回顾，并探讨了二者结合的必然性及其原因。
This is a review of the relationships between music and poetry in Western music history, exploring the inevitability and causes for the combination of the two.
因而，对拜占庭圣咏的研究必定要在跳出西方中心框架的基础上，再回到西方音乐史的研究之中。
So the research must go back into the research of western music after jump out of the frame of the traditional music history.
泛欧洲的西方音乐史，早已被众多的中外音乐史学家记述过了，然而，亚洲音乐史的专著目前还为数不多。
Many music historians have recorded and narrated the whole west music history, however, Asia is still a small number of musical history treatises at the present.
在西方音乐史中，弦乐四重奏有着十分重要的地位，许多作曲大师对这种表演形式倾注了最细致和最深刻的感情。
In the western music culture, string quartet is of special importance that many master composers put delicate and deep emotion in it.
从国内外诸多的西方音乐著作中可以看到，几乎每一位音乐史家都把音乐体裁的研究置于西方音乐史的中心视野。
From a large number western musical literature we can see that almost each musical historian's research interest focus on music genres in history of western music research.
在西方音乐史中，将莫扎特与贝多芬都规划在维也纳古典时期，他们的作品中所用的和声手法即今天所称的“古典”。
In western music history, program is firm especially with Beethovens all in Vienna classic period, the harmony skill use is right now in their work day the " classic" call.
20世纪的西方音乐史著作中，对德国晚期浪漫主义作曲家R·施特劳斯的音乐作品评价多半不高，常常毁誉参半，甚至贬多于褒。
In western music history books of the 20th century, German romanticism composer R · Strauss' didn't get high evaluation and usually had mixed reception.
20世纪的西方音乐史著作中，对德国晚期浪漫主义作曲家R·施特劳斯的音乐作品评价多半不高，常常毁誉参半，甚至贬多于褒。
In western music history books of the 20th century, German romanticism composer R · Strauss' didn't get high evaluation and usually had mixed reception.
应用推荐