莫言小说的内核是作者的生命体验。
The experience of life mentioned in the essay is an instinctive state of life.
本文主要从“苦难意识”这一角度出发对莫言小说进行分析。
This thesis mainly analyses Moyan's novels from the Angle of "suffering consciousness".
民间立场·狂欢话语着重分析莫言小说创造的民间文化立场及其精神走向。
Part III folk stand, Carnival DiscourseIn this part the author lays stress on the folk cultural stand and its spiritual trend in Mo's novel creations.
叙事是莫言小说艺术最令人眩目的亮点，这个部分着重分析了莫言前后期叙事策略的变化。
Narration is the brightest character among Moyan' s novel art. This part emphasized on the analysis of the change of Moyan' s narration strategy.
莫言小说的“生命意识”和“审丑意识”充分地体现了新时期文学关于人的本质的探索历程。
"The life aware" and "the consciousness of appreciation of ugliness" in Moyan s novel embodied the exploring of human nature by the New Period Literature.
莫言小说对于人的生命本原的崇拜是与八十年代中期文学对人的重新思考紧密联系在一起的；
The worship to the life origin in Moyan's novel is related to the consideration on people's nature in middle 1980s' literature;
在莫言小说中，顽童心态是指饱受苦难的少年儿童的心态，是永远挥之难去的一种苦难情结。
In Moyan's novels, the naughty children's psychology refers to enduring the psychology of the children who suffered to the fullest extent, a suffering complex that can be difficultly got rid of.
因此，本论文试图探寻的就是莫言小说的艺术魅力，并主要从民族性的文学视角对莫言的小说进行解读。
This thesis mainly describes the artistic charm of Moyan's works, explaining the works from the visual angle of literary nationality.
完整地阅读莫言小说，有明显的文本重复现象，人物性格、故事情节、艺术感觉、情境氛围多是自我重复。
A thorough reading of Mo Yans novels testifies such textual recurrences, as in characters personalities, story plot, artistic feel, and circumstance ambience.
莫言小说中的女性形象在某种定势文化中被塑造、被命名、被规定的命运，以及有些女性不满足于这种命运所带来的令人不快的同化、异化而作的不屈努力，是本文着力考察的对象。
The female image-buildings of Moyan's novels in some culture atmosphere and the women's destiny which were named or regulated are the object that this thesis seeing about.
莫言的中篇小说《红高粱》既被视为“寻根文学”的终结，也被视为“新历史小说”的重要起源和代表作品。
His nouvelle Red Broomcorn have been looked as the ending of "seeking root literature", as well as vital origin and magnum opus of "neo-historical novel".
本文主要从苦难主题以及独特形式这一角度出发对莫言的乡土小说进行探析，以突出莫言在中国乡土小说史上的独特之处及重要地位。
The article mainly analyzes the countryside novel based on the hardship topic and the special form so as to embody the special and important position in Chinese local novel history.
众所周知，电影《红高粱》是根据莫言的同名小说改编而成的。
It is well known that the film Red Sorghum is adapted from the novel of the same title by Mo Yan.
这部电影改编自莫言1986年的同名小说，它再现了火红斜阳下一片红高粱地的景象。
It was adapted from his 1986 novel of the same name, bringing to life a visual landscape of red sorghum fields and a fiery setting sun.
叙事视角使莫言的小说具有与众不同的美学风格。
Narrating angles make Mo Yan 's novels have distinguished aesthetic style.
而且，莫言的小说被放到书店最畅销书架上，有的甚至缺货了。
Moreover, Mo Yan's novels are put in the best seller bookshelf in the bookstores and some are even out of stock.
独特的叙事视角使莫言的小说具有与众不同的美学风格。
Moyan's fictions are of distinctive aesthetic style because of his unique narrative perspectives.
莫言作为中国最早与影视“触电”的作家之一，他的小说曾被大量改编成影视作品。
Mo Yan is one of the earliest writers who approached to films. His novels have been adapted into a large number of film and television works.
莫言作为中国最早与影视“触电”的作家之一，他的小说曾被大量改编成影视作品。
Mo Yan is one of the earliest writers who approached to films. His novels have been adapted into a large number of film and television works.
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