东西小说创作体现出一种边缘化的叙事姿态，故事荒诞化的背后实际上是对人类生存困境和存在本质的关注。
A marginal narrative style is embodied in the creation of eastern and western novels and at back of incredible plot is the essence of the difficult position of human existence.
我并不反对图形界面自动化测试，但是绝不主张只是因为能够自动化就用自动化测试，或者只是因为我们有的那些荒诞的想法：认为所有的东西都应该自动化。
I am not against GUI automation, but I certainly don't advocate automating a test just because we think we can, or because we have some bizarre idealistic belief that everything should be automated.
女人更容易做噩梦，她们的梦也更加的情绪化、更荒诞，睡眠问题也严重得多。
'Women have more nightmares, more emotional dreams, more surreal ones and greater trouble sleeping.'
晚期思想极端化，形成了基于不确定性原则的不可能的交换，以“无”来重构世界存在的要素和背景，形成了荒诞玄学。
Thirdly, based on the uncertainty rule, Baudrillard constructed the impossible exchange to form metaphysics, which deconstructs the elements and background of the world.
女老板脱离了荒诞可笑的陈旧观念，越发正常化。
Women bosses have escaped ludicrous stereotypes to become normal.
荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。
The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
时装工业每一个痛苦的时刻都是完全应该被时装设计师们…和那些使这种荒诞创造永久化的杂志懦夫领受。
Every moment of the fashion industry's misery is richly deserved by the designers and magazine poltroons who perpetuate this absurd creation.
那些错位、碎片化的都市景观则让画面形成了一种巨大的张力，不仅让人感到压抑，而且会产生莫名的荒诞。
That malposition, fraction image of cities would give the painting a huge tension which will make people feel not only depression but also inexplicable absurd.
这些突然而荒诞的交替变化构成我们通常的情绪变 化。
Their sudden and fantastic alternations constitute the ordinary weather of our minds.
这些突然而荒诞的交替变化构成我们通常的情绪变 化。
Their sudden and fantastic alternations constitute the ordinary weather of our minds.
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