这种艺术语言建立在他此前所进行的绘画自律性的广泛探索之上，一种新美学开始形成。
The artistic language was based on the wide exploration into the painting autonomy he made before, and the new aesthetics formed.
其关于“审美无功利性”与“自由美”的命题涵盖了艺术的自律性诉求，成为审美现代性的一个重要特征。
Aesthetic unutilitarian and free beauty directly lead to the self-discipline of art, and therefore become a major characteristic of Aesthetic modernity.
中国画进入后现代时期，需要我们重振精英精神，坚持艺术的自律性和创造性，同时还要重视传统作为文化策略的重要意义。
In the post modern times of Chinese painting, we must build up high spirit again, keep up creativity freedom and take high sight on our tradition so much as a cultural strategy.
中国画进入后现代时期，需要我们重振精英精神，坚持艺术的自律性和创造性，同时还要重视传统作为文化策略的重要意义。
In the post modern times of Chinese painting, we must build up high spirit again, keep up creativity freedom and take high sight on our tradition so much as a cultural strategy.
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