除了人类之间强大的相互影响和对自然形象化的描写，凯瑟的作品也常评论艺术——包含音乐，绘画以及所有对创造冲动之表达。
In addition to intense human interactions and nature imagery, Cather's work often comments on the arts — on music, on painting, on all expressions of the impulse to create.
医生认为这种从天而降的艺术冲动是他的大脑受损造成的。
Doctors believe the sudden artistic drive is the result of damage to his brain.
而在文化辨认的长期努力里，我们看到中国当代艺术里还有另一面在文化辨认的冲动里没有被放大出来的东西。
There is something that hasn't been focused on in the long struggle for Chinese contemporary art to achieve its own cultural identity.
翻译的艺术性至少包括三个方面的内容，即形式表现、异质同构和艺术冲动。
The reason is that translation is also characterized by art, which includes form expression, allomerism and artistic impulse.
这就是所谓艺术的或创造的冲动。
只有艺术才能控制人类科学求知冲动，重建“伟大的文化”。
Third, only art can control human impulse of longing for knowledge, and rebuilds "great culture".
第二部分从四个方面，即悲剧主题、悲剧精神、悲剧的两大艺术冲动以及悲剧效果，概述了尼采的悲剧思想。
The second part is a general introduction to Nietzsche's tragic thoughts in four aspects, namely, tragic themes, tragic spirit, two impulses of tragic art and tragic effect.
当消费者沿着宜家里面弯弯曲曲的过道一路走过去，看着两旁极简抽象派艺术的瑞典家具时，很快就会让消费者辨不清方向，冲动之下，买了很多别的东西。
The theory is that while following a zig-zag trail between displays of minimalist Swedish furniture, a disorientated Ikea customer feels compelled to pick up a few extra impulse purchases.
席勒最后更为直接地把美和艺术的根据建立在了“游戏冲动”之上，从而形成了自己的艺术本体论。
Since the foundation of beauty and art was built on the term of "game impulsion", Schiller formed his own artistic ontological, finally.
大多数艺术家生活在有着同样审美冲动和动机的状态中，创作是他们灵感的体现与升华。
Most artists live in aesthetic impulse with the same state and motivation, creativity is a reflection and distillation of their inspiration.
可以说没有想象思维就不会产生动漫创作的冲动和艺术表现的灵感。
As if the imagination thought in the animation creation's significance is more widespread and profoundly than other any kind of artistic form.
他认为在艺术创造中，除了情移的冲动以外，还有一种与之相反的冲动支配着，这便是“抽离的趋势”。
It is acknowledged that the earliest abstraction blow on western esthetics was made by Wilhelm Worringer, a German art historian who is best known for his doctoral thesis, Abstraction and Empathy.
他认为在艺术创造中，除了情移的冲动以外，还有一种与之相反的冲动支配着，这便是“抽离的趋势”。
It is acknowledged that the earliest abstraction blow on western esthetics was made by Wilhelm Worringer, a German art historian who is best known for his doctoral thesis, Abstraction and Empathy.
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