艺术家迈克尔·克雷格-马丁说：“在这个艺术在学校里被降级的时代，安德里亚让来自各个领域的艺术家与儿童直接接触，这样出色的项目特别受欢迎。”
Artist Michael Craig-Martin said: "Andria's brilliant project to bring artists from all fields into direct contact with children is particularly welcome at a time when the arts are being downgraded in schools."
模特在传统上是站在天然不雕饰的一方——理论上给艺术家们更多的是一块空白的画布和想象的空间——但她们的确不接触艺术家。
Models have traditionally been on the nondescript side - theoretically to give artists more of a blank canvas - and they definitely don't engage with the artists.
北艺术家越来越多地前往意大利他们在那里接触到古老的艺术，以及艺术的文艺复兴时期意大利。
Northern artists increasingly traveled to Italy where they were exposed to the art of antiquity as well as the art of Renaissance Italy.
困难的部分是如何接触这些艺术家？
The difficult part of this is how to get in touch with these artists?
王：我接触他们，对艺术家，这个说实话，他们既崇拜又不屑一顾， 他们认为艺术家是很少的一部分人能当职业玩儿的。
Mr. Wang: I touched them. To artist, actually, they admire them and do not worth a single glance. They think that litter artist to do art that can be a professional.
我在中国的关系，使我能够接触并发现了李椰林是驻地艺术家在成都。
I had connections in China through which I was able to make contact and found out li Yelin was a resident artist in Chengdu.
我们一定要倾听艺术家的心声，千万不能放松这种接触。
有时艺术家会感到自己必须具备与机器接触的敏感性，不断地利用机遇开启世界的大门。
Sometimes an artist will feel that their machines must have come into contact with the sensitivity of the world has continued to use the opportunity to open the doors.
法国巴黎，展览至2月23日：接触——奥拉·维尔·埃利亚松作品展，奥拉·维尔·埃利亚松是现代最重要的灯光艺术家之一，展览在弗兰克·盖里设计的巴黎路易·威登基金会艺术中心举办。
Paris, France, until February 23: Contact, an exhibition by Olafur Eliasson - one of the most important contemporary light artists - at the new Fondation Louis Vuitton by Frank Gehry.
对许多艺术家的职业生涯是从他们的讨论，尽早接触艺术，他们的老师，旅行，后来风格的影响。
The careers of many of the artists are discussed from their early exposure to art, their teachers, travels, and later stylistic influences.
90年代初，藏家在参观欧洲的画廊和博物馆的展览时，第一次接触到中国艺术家像是方力钧的作品。
The owner first encountered Chinese art - and Fang Lijun in particular - as it circulated sporadically through European galleries and museums in the early 1990s.
90年代初，藏家在参观欧洲的画廊和博物馆的展览时，第一次接触到中国艺术家像是方力钧的作品。
The owner first encountered Chinese art - and Fang Lijun in particular - as it circulated sporadically through European galleries and museums in the early 1990s.
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