一言以蔽之，艺术与道德的关系便是如此。
There we have the relationship of art and morality in a nutshell.
波德莱尔美学思想中关于艺术与道德的关系、应和、现代性的思想非常富有深意和新意。
Aesthetics thought of Baudelaire about the relationship between art and morality, correspondences and modernity is new and profound.
艺术与道德一直以来是一个被艺术家、哲学家讨论的问题。他们之间的关系也一直是一种游离的状态。
Since art and morals have been one question discussed by the artists and the philosopher, the relations between them also have been one kind of free state.
从而，通过绘画这个视角，透视了中国古代文化中独特的比德文化所包含的艺术与道德之间的有效沟通。
Thus from the point of view of painting, we can have a profound understanding of the deep relationship between art and virtue included in the unique thought of Bi-de in Chinese traditional culture.
我们知道的只是他是使我们成为人类的一个器官，赋予人们艺术、语言、道德评判与更改思考的能力。
What we do know is that it's the organ that makes us human, giving people the capacity for art, language, moral judgments, and rational thought.
伴随着意志，职业道德与毅力，还有史蒂夫的神奇能力，现实生活中的艺术家信仰，日后将更美。
But with that will, that work ethic, that strength, there was also sweet Steve's capacity for wonderment, the artist's belief in the ideal, the still more beautiful later.
他们已经进入了艺术和科学领域，而科学和艺术均无关乎道德上的赞同与反对。
They have passed into the sphere of art and science, and neither art nor science knows anything of moral approval or disapproval.
在写给自己母亲的信中说：“我一贯认为文学和艺术追求一种与道德无涉的目的，构思和风格的美对于我已足矣。”
In a letter to his mother, he wrote he had been insisting that pursue of literature and art has nothing to do with morality, for the beauty of composition and style would have fulfilled him.
认为教育是艺术，教育在于提升人的境界——道德与艺术的结合；
The author believes that education is an art that promotes man's soul which combines moral and art.
法国战后开始实施的素质教育，包含体育、公民义务与权利、道德、科学、艺术等多方面的内容。
France is afterwar the quality education that begins to carry out, contain the content of the many sided such as obligation of sports, citizen and right, morality, science, art.
即使对狂人形象做分析，也应着眼其艺术功能而不是人物形象的人格评价或道德评价，从人格或道德的角度争论或界定狂人的“狂”与“不狂”。
So, A Madman's Diary is unsuitable to be analyzed in common personage's image. Madman's image should be analyzed by its artistic function instead of personality or moral.
作为唯美主义的代表作家，王尔德信奉“艺术至上”的纯艺术理论，主张艺术高于自然与生活，是非功利、超道德且纯“形式”的。
Oscar Wilde believes that "art is supreme" in his pure artistic theory, thinking that art is higher than nature and life, not related to ultra morals, but a pure "form".
与小说艺术形式的世界一样，现实世界也应当寻求公共性的彰显，而非如昆德拉笔下的孤独者那样一味逃离公共性的知行合陷入道德消解和生命没落的虚无状态。
As the same as the world of novel form, real world should also be looking forward to the publicit, but not as Kundera's lonely people as that escape the publicit and fall into moral digestion.
与小说艺术形式的世界一样，现实世界也应当寻求公共性的彰显，而非如昆德拉笔下的孤独者那样一味逃离公共性的知行合陷入道德消解和生命没落的虚无状态。
As the same as the world of novel form, real world should also be looking forward to the publicit, but not as Kundera's lonely people as that escape the publicit and fall into moral digestion.
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