研究人员认为，与这一观点相一致的是，旧石器时代晚期之后的文化时期的艺术似乎也反映了人们获取食物的方式。
Consistent with this idea, according to the investigators, is the fact that the art of the cultural period that followed the Upper Paleolithic also seems to reflect how people got their food.
这些绘画作品与旧石器时代晚期人们认为艺术在经济中的重要性有关的观点是一致的。
The paintings are consistent with the idea that the art is related to the importance of hunting in the economy of Upper Paleolithic people.
艺术家迈克尔·克雷格-马丁说：“在这个艺术在学校里被降级的时代，安德里亚让来自各个领域的艺术家与儿童直接接触，这样出色的项目特别受欢迎。”
Artist Michael Craig-Martin said: "Andria's brilliant project to bring artists from all fields into direct contact with children is particularly welcome at a time when the arts are being downgraded in schools."
那个时代的艺术家与建筑师想要建造可以通向天国的建筑，因为他们认为这样可以离上帝更近。
Artists and architects of the era wanted to build structures that stretched towards the heavens, as they felt this literally brought them closer to God.
油画语言是艺术家藉以表达和传递感情的工具，它通过视觉形象的表达完成传递感情和话语的作用，强调个人的感觉状态与时代文化的影响。
Oil painting is a language by which artists express and convey their emotions. It fulfills its functions through its visional effect and emphasizes individual feelings and cultural impacts.
这一时期没有乔治奥•瓦萨里这样的人物，这位文艺复兴艺术家传播了与他同时代的伟大成就；他的著作《艺苑名人传》至今仍被广为阅读。
The period had no Giorgio Vasari, the Renaissance artist who publicised the magnificent achievements of his contemporaries; his book, “The Lives of the Artists”, is still widely read.
在上层时代的户型艺术中，当创意与空间完美拥抱的时刻，也是您的贵族生活方式被品鉴的时刻。
In upper formation time household art, when creativity and spatial perfect hug time, is also your aristocrat lives the time which savors.
其次，石窟艺术又是佛教境地与中国不同时代真实生活情景融合的再现。
Secondly, grotto art is the reappearance of inosculation of real living scene in the religious area and different times of China.
与许多其他妇女，她的时代，从学徒排除在成功的艺术家工作室的艺术家一样，真蒂莱斯基是一个画家的女儿。
Like many other women artists of her era who were excluded from apprenticeship in the studios of successful artists, Gentileschi was the daughter of a painter.
草原生活是内蒙古艺术家取之不尽的创作源泉，而当今的一些美术、摄影作品缺乏时代气息与精神的力度。
Grassland life is the endless creative source for Inner Mongolia artists, however, some modern art and photograph works are lack of time tinge and spiritual vigor.
她在叙事艺术上有着同时代女作家所不具备的成熟与完美，是较早专注于叙事艺术的现代女性作家之一。
As for the narrative art, her maturity and perfection outgrow those of other female writers in her age, and she is one of the first modern female writers who concentrate on narrative art.
作者把那个时代的现实生活与他极为丰富的想像力相结合，通过荒诞这种特有的艺术手法，创造了“现实”与“超现实”的艺术对接。
The writer creates the artistic combination of reality and super-reality in a specifically weird way, combining the actual life of these days and his rich imagination.
他写诗及商业性的写实文学，并出版了两本书：《后现代魔术：资讯时代魔术艺术》与《魔力语言符号：一个魔术师对语言学的诠释》。
He writes poetry and nonfiction and has published two books: Postmodern Magic: the Art of Magic in the Information age and Magic Power Language Symbol: a Magician's Explanation of Linguistics.
我们不能认为艺术的创造……是自然存在的，与时代无关。
We cannot regard artistic invention as... uncaused and unrelated to The Times.
当下，时代旨趣异化艺术追求、科学技术与艺术冲突、前卫艺术庸俗化等问题显得尤为尖锐。
Nowadays, it is obviously sharp that The Times' interest alienates the pursuit to the art, and vanguard art is vulgarized.
在电子媒介时代，艺术与生活的距离并没有消失。
In the age of electronic media, the distance between art and life has not perished.
消费时代的设计艺术与多元文化相互建构并嵌入了社会总体性叙事。
In consumer era, design art and multi-culture mutually construct and embed the narrative mode about social totality.
数字化时代艺术与技术的统一关系呈现动态变化的特征，需要重新思考定位。
The unity relation of art and technique of the digital age presents itself with dynamic feature, which requires our renewed consideration and identification.
图像表意的强化与文字审美的式微正在改写这个时代的艺术社会学和符号美学。
Reinforcement of image ideograms and the decline of character appreciation are changing the artistic sociology and symbol aesthetics of this age.
由此可见，英语是文字、艺术、智力、风味与尝试的活用组合。不用说，英语也常会跟着地方或时代演变。
It can be seen from the above that English is a living combination of words, art, intellect, taste and daring. It goes without saying, English changes with time and place, and it changes all the time.
现代西方艺术生活在工业时代，我们明显感到金属机械与水泥建筑对它的影响乃至逼迫。
When modern Western art lived in the Industrial Age, we clearly felt the influence and even coercion of metal machines and cement buildings upon it.
21世纪是一个艺术设计的时代，也是科学技术与艺术紧密结合的时代。
The 21st century is a century of artistic design and close combination of technology and arts.
中国当今社会已随着时代的变迁而变化，中国当代艺术文化在受到外界环境的影响与冲击下也在悄然改变。
Chinese are now in with the changing times and changes in contemporary Chinese art and culture in the external environment and by the impact are about to change.
艺术作为人类文化的精神载体，随着时代的演变而不断更新与进步。
Art, the spirit carrier of human culture, develops and changes as The Times change.
艺术与现实的美学关系是文艺美学不可回避的基本问题，我们必须对此做出时代的回答。
The aesthetic relationship between art and reality is a basic question that the art and literary aesthetics can't evade, and to which we must supply a timely response.
本文通过选择典型时代背景下，针对特定阶层的审美趣味与具体艺术形式相关的审美活动采取对应研究的方法。
By typical backdrop of The Times, targeted at specific sectors of the aesthetic interest and the specific aesthetic art forms related activities take corresponding study.
信息时代工业设计的风格，主要表现为个性化设计、人性化设计、技术与艺术并重的设计、绿色设计。
The style of industrial design is presented with individuation design, humanism design, the design of paying equal attention to technology and art, green design in information porch.
艺术与技术的统一关系在新的时代依旧存在并更加紧密，而技术与艺术的内涵也更加丰富。
In the new age, the unity relation between art and technique are still existing and much closer, while the connotation of art and technique is richer.
艺术与技术的统一关系在新的时代依旧存在并更加紧密，而技术与艺术的内涵也更加丰富。
In the new age, the unity relation between art and technique are still existing and much closer, while the connotation of art and technique is richer.
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