笔与色可以形成和笔与墨一样的关系，强调运笔的动作性，形成笔迹色痕。
Furthermore, the relationship between brush and color is the same as brush and Chinese ink. Emphasizing on wielding the brush and forming the color marks.
为此，她进行了多种试验——她使用了不同类型的底层色，擦痕与磨痕，人为制造出一些光亮的玫瑰红斑点；总之，为了能捕捉人的潜意识，她不惜任何代价——她自己的画像与她的模特的画像。
She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots; doing whatever had to be done to capture the subconscious-her own and that of her models.
植株灌木型，茎多分枝，可长至50厘米高或更高，茎干8到15毫米粗，淡绿色，有白霜，近根处色深暗，叶痕呈双凸形。
Plant shrubby, caudex branching, to 50 cm tall or more, 8-15 mm thick, pale green and glaucous above, darker below, leaf scars lenticular.
广告色画干时表面无光，如果要求效果，也能使刷痕看不见。
Gouache paints dry to a matte finish and, if desired, without visible Brush marks.
广告色画干时表面无光，如果要求效果，也能使刷痕看不见。
Gouache paints dry to a matte finish and, if desired, without visible Brush marks.
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