本文评价了良渚遗址保护与利用的策略之“良渚文化村”方式以及良渚文化博物馆的设计理念与手法。
The thesis discusses the planning of Liangzhu Culture Residence as a measure for the conservation of Liangzhu Archeological Site and the design of Liangzhu culture museum.
1936年，在杭州西湖博物馆工作的施昕更先生，第一次在自己的家乡余杭认证了良渚文化的存在。
In the year of 1936, Mr. Shi Xingeng, a worker with Westlake Museum, Hangzhou City, affirms for the first time the existence of LIANGZHU Cultur in his hometown—Yuhang District.
1936年，在杭州西湖博物馆工作的施昕更先生，第一次在自己的家乡余杭认证了良渚文化的存在。
In the year of 1936, Mr. Shi Xingeng, a worker with Westlake Museum, Hangzhou City, affirms for the first time the existence of LIANGZHU Cultur in his hometown—Yuhang District.
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