巴兰青和其他舞蹈编导拒绝禁锢与故事情节,因为芭蕾本源的扮演就是舞者人体,并不抽象化于故事情节。
Balanchine and other choreographers reject the term because a ballet being performed by human dancers, can never be abstract.
巴兰青和其他舞蹈编导拒绝禁锢与故事情节,因为芭蕾本源的扮演就是舞者人体,并不抽象化于故事情节。
Balanchine and other choreographers reject the term because a ballet being performed by human dancers, can never be abstract.
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