在波伏娃看来，自我与他者的对立结构存在于人类生活的各个层面。
Opposite structure of self and the other exist different levels of human life, so it is not strange that man and woman are opposites.
本文凭借精神分析和叙事学理论，阐释了小说自我与他者之间抵抗、共生和融合的辩证关系。
The dialectical relationships in the novel such as resistance, co-existence and integration between the self and the other are interpreted from the perspectives of psych…
(“有力的文字——血斧，2000)正是这种自我与他者之间模糊的界限成就了伯恩·赛德的独到之处。”
(Strong Words, Bloodaxe, 2000). It is this blurred territory between the self and the other that Burnside has made particularly his own.
唯有充满诚挚慷慨与自我放弃、油然而生的爱才能丰盛他者的灵魂。
Only spontaneous love flowing with sincere generosity and self-abnegation can fertilize the soul of others.
认同可以概括为在某种情景下，行为体在与他者的比较中产生的一种自我认知和自我界定。
Identity which can be summarized as: in certain circumstance, the comparison of the behavior body and others comes into being a kind of self-cognition and self-definition.
西方的非西方想像体现了西方对他者的控制与重构，是西方表达自我优越意识的一种霸权话语。
This imagination reflects the control and reconstruction of the west on the non-west, which is a hegemonic discourse and expresses the consciousness of superiority of the west.
一般说来，女性的“自我形象”在叙写过程中呈现出形象与直白的审美特征，而作为被他人进行观察、描摹、叙写的“他者形象”，则呈现出抽象与朦胧的审美特征。
Generally speaking, "Self image" has the aesthetic feature of imagination and frankness, while in "other image", the description has the aesthetic features of abstract and obscurity.
一般说来，女性的“自我形象”在叙写过程中呈现出形象与直白的审美特征，而作为被他人进行观察、描摹、叙写的“他者形象”，则呈现出抽象与朦胧的审美特征。
Generally speaking, "Self image" has the aesthetic feature of imagination and frankness, while in "other image", the description has the aesthetic features of abstract and obscurity.
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