《判断力批判》之所以在美学与艺术理论史上占有重要地位原因有两点。
Two reasons contribute to the significant place of the book in the history of aesthetics and art theory.
他们的艺术处在美学和社会反馈的交界区，并对这些区域和普遍的社会状况进行了尖锐的批判。
The artists work in zones, borderline for the aesthetic and social response, and with the most poignant problem for these zones and the general social state.
鲍德·里亚的思想批判了近代美学的一系列概念。
The theory of Baudrillard has criticized a series of aesthetic categories.
阿多诺在其《美学理论》中比较系统地阐述了他的艺术批判思想。
In his Aesthetics Theory, Adorno expounds systematically his idea of artistic critique.
在批判主体论美学的基础上，伽达默尔提出了艺术作品本体论。
By criticizing the subjective aesthetics, Gadamer proposes the ontology of artistic works.
海派文学在内容上表现出一种对历史现代性的批判，在美学品格上体现为颓废唯美的倾向，这构成了审美现代性的特征。
The Literature of Shanghai School expresses criticism to the historical modernity in its content, and the tendency of decadent aestheticism in its aesthetic character.
不同的抽象批判样式构成了不同的美学叙事。
Different models of abstract criticism make different types of esthetic narration.
第二部分内容如下：1.第二次批判，新美学的准备。
The second part of content is as follows: 1. The second criticism, the preparation of new aesthetics.
但是，他的激进美学主张也带有很浓厚的影响审美实践的理论主义缺陷，为此，他的激进美学主张也必须面对各种批判声音。
However, his radical principles carried great defects of theoreticism, which influenced his practice, so Eagleton had to face a variety of criticism.
在我看来，阿多诺的批判美学对中国当代的画坛意义更大。
In my view, Adorno's critique of contemporary aesthetics of Chinese painting more meaningful.
旨在批判性地继承和光扬牛顿的科学美学遗产。
In this way, his thoughts as the precious heritage of scientific aesthetics will be critically inherited and further developed.
康德美学的批判功能、交往功能与和解功能从三个维面彰显了康德美学的现代性意义。
The Significance of Modernity of Kants Aesthetics is displayed in three perspectives of aesthetics critical function, communicative function and reconciliatory function.
论争集中体现于“后实践美学”的超越性批判和实践论美学的改造性维护。
The controversy focused on the transcending criticism to post practical aesthetics and the creative maintenance of practical aesthetics.
英伽登的现象学思想主要是在胡塞尔现象学哲学的基础上，对哲学本体论和美学的深入研究，他的根基是对胡塞尔现象学的接受与批判。
The thought of Ingarden's phenomenology, on the basis of the Husserl's philosophical phenomenology, had a further research on the Ontology of philosophy and aesthetics.
英美新女性主义主张批判和超越“双性同体美学”标准，倡导颂扬女性文化的女性美学。
New Anglo-American feminism advocates to criticize and surmount the standard of aesthetics of "Androgyny", and initiates praise of female culture and female aesthetics.
马尔库塞的人本主义美学思想具有如下四个方面的特征：第一，激进的现实批判色彩。
Herbert Marcuse's humanism aesthetics has four fundamental characteristics as follows: first, radical criticism of the reality.
康德的美学思想主要体现在他的美学巨著《判断力批判》之中。
The aesthetics of Kant's aesthetics is mainly embodied in his masterpiece, "Critique of Judgement".
本文试图从美学角度审视中国当代城市环境设计的现状，对环境设计中存在的问题进行美学上的分析与批判。
The present dissertation endeavours to survey the state of contemporary urban design, and to analyse and evaluate it from the perspective of aesthetics.
后实践美学对实践美学的批判触及了实践美学的弱点，但其本质也存在局限性。
The criticism of the post practical aesthetics on the practical aesthetics has touched the weakness of the practical aesthetics, but its essence has the localization.
《批判哲学的批判》是李泽厚后期实践美学的理论起点，《美学四讲》则是其集中体现。
Critique of Critical Philosophy is Li Ze-hou s theoretical starting point of his practical aesthetics in his later years and Lectures on aesthetics is its concentrated reflection.
宗白华的生命美学体系是他对西方生命美学思想的批判吸收和对中国古典生命美学思想的新阐述过程中逐渐确立起来的。
Zong's life aesthetic system is based on criticism of Western life aesthetics, and absorption of Chinese classical aesthetics, through which the system is gradually established.
第三部分在前两部分的基础上讨论海德格尔对传统的形而上学的美学的批判，由此而揭示出传统形而上学美学的根源及其本质，使其陷入危机之中。
Based on the above two parts, the third part discusses Heidegger's critique on traditional metaphysic aesthetics, which discovered the latter's origin and essence, and drived it into crisis.
他的美学是充满了主观性和批判现实性的行动美学，对现实社会和其后的美学理论都产生了巨大的影响。
His aesthetic is the acting aesthetic full of subjectivity and the critic of reality, which greatly influenced the society and the subsequent theory of aesthetic.
其二是立足个体生命的现实，从感性、自由、生存、生命、超越等立场反思美学，批判美学。
It was to re-think and criticize the aesthetics on the position of individual existence, including perception, living, life, freedom, and surmount.
其二是立足个体生命的现实，从感性、自由、生存、生命、超越等立场反思美学，批判美学。
It was to re-think and criticize the aesthetics on the position of individual existence, including perception, living, life, freedom, and surmount.
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