主体部分共分三章，第一章吕澄的生平，以及他的美学思想形成的佛学背景。
The main part is divided into three chapters. The first chapter is about Lu Cheng's life and his ideological and aesthetic form of Buddhism background.
这个从平面到立体的过程，形成了时空艺术的瞬间闪现，天真烂漫而不悖理性精神的美学，使画家的思想自由驰翔，令其笔下生辉。
The transition of the theatrical mask art from a plane form to the present stereoscopic model represents the instantaneous flashes of the so-called time-space art.
本文认为，卢卡契论审美反映的主观性与胡风的“主观战斗精神”都从关注作家主体意识的角度上形成了独具特色的主体性美学思想。
This text tries to demonstrate that Georg Luckacs's "aesthetic subjectivity" and HuFeng's view of "subjective fighting spirit" both paid particular attentions to artists' subject consciousness.
围绕着如何成就理想人格(即圣人人格)，王阳明形成了一整套人格美学思想。
Centring on how to foster ideal personality, Wang Yang-ming formed a whole set of personality aesthetics.
孙犁晚年形成了以崇尚自然之道为基质的美学思想。
In his later years, SUN Li s aesthetic ideas came to be based on the ideal of naturalness.
在康德、柏格森和弗洛伊德、荣格思想的基础上，徐？创造性地形成了自己独特的神秘主义美学观。
On the base of the thinking from Kant, Bergson, Freud and Jung, Xuxu formed his own special mysticism esthetics.
本文主要探讨了现代中国美学学科形成以及其中所包含的重要思想论域。
This thesis mainly research the formation of modern Chinese Aesthetic discipline and important thought scope involved.
论文以莫扎特歌剧意识形成的人文背景为源流，从探讨莫扎特歌剧美学思想深处的戏剧性内涵入手，对莫扎特突出的戏剧手法作进一步分析。
This paper discussed the dramatic meaning of the aesthetic mind in Mozart opera, and looked backward the background of the conscious formation, and analyzed Mozart's prominent dramatic technique.
中国艺术美学思想的本源来自中国传统文化的浸润，形成了“思想”和“心灵”的独特的艺术传统。
Originated from Chinese traditional culture, Chinese artistic and aesthetic thoughts form special artistic tradition on thoughts and soul.
他追求“多样统一”的审美理想，尝试把东西方美学思想融为一体，从而形成一种现代意义上的艺术理念。
He pursuit of "unity in variety" aesthetic ideal, he tried to put together Oriental art and Western aesthetic thought, forming a new artistic concepts.
它们形成了中国古代二元对立的批评格局，这种格局对于扩充古代整体的音乐哲学美学思想的容量，起到了积极的作用。
They stick to themselves with noc ompromise, which plays an active role in enlarging the amount of ancient Chinese music-philosophy-aesthetics concept.
它们形成了中国古代二元对立的批评格局，这种格局对于扩充古代整体的音乐哲学美学思想的容量，起到了积极的作用。
They stick to themselves with noc ompromise, which plays an active role in enlarging the amount of ancient Chinese music-philosophy-aesthetics concept.
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