网络恶搞是好事还是坏事？
今天，我发现自己又成为了网络恶搞的对象。
社会背景和社会心理是恶搞者“网络恶搞”现象的主要动因。
Social background and social psychology are the main reasons for "Network KUSO".
从本质上讲，网络恶搞并没有太多的恶意，只是一种自娱的手段或需要。
In essence, the Internet "Kuso" isn "t evil." It is only a means of entertainment.
在很大程度上，运用符号解读网络恶搞广告，也说明了他们的关系是互补的。
To a large extent, use of symbols interpreted Practical Jokes ad network, also shows that their relationship is complementary.
“网络恶搞”作为一种网络大众消费文化现象，它风行一时，在网络上呈现出一种全民狂欢的姿态。
"Network KUSO" as a phenomenon of mass consumption cultural on the network, it is very prevalent in a long time on the network.
恶搞影片包括《盗梦空间》、《国王的演讲》、《大地惊雷》、《黑天鹅》、《社交网络》以及1985年的经典穿越电影《回到未来》。
The duo spoofed movies including Inception, The King's Speech, True Grit, The Fighter, Black Swan and The Social Network -- as well as the 1985 film Back to the Future.
在《光环》的持续热烧下，一群玩家组成RoosterTeeth制作公司，利用《光环》的游戏引擎制作出一系列恶搞性质的网络短片，名为“红对蓝”，用戏谑的角度演绎光环世界里的故事。
With Halo fever gripping the gaming sphere, Rooster Teeth Productions created Web series Red vs. Blue, a comedic spoof on the gaming universe.
一时间，随处可见模仿、恶搞《忐忑》的网络视频。
Soon online videos *imitating, or *parodying the song were everywhere.
早在盆景猫咪和灾难旅行者之前，就有恶搞的人拿“蹂躏”那些轻信的人来作为消遣，并因此臭名昭著。下面是一些网络时代甚至几个世纪之前的恶作剧。
Long before Bonsai Kittens and the tourist guy, hoaxsters have been wreaking havoc on the gullible to amuse themselves and maybe gain a little notoriety.
从性质上说，网络“恶搞”属于新型文艺评论，也具备构成改编作品的条件。
The identity of internet viciousness is a new type of literary criticism, and owns the qualification of adapted works.
恶搞是借助网络流行起来的一种大众文化。
The juggled culture is a kind of mass culture supported by the network popularly.
一时间，随处可见模仿、恶搞《忐忑》的网络视频。
Soon online videos imitating, or parodying the song were everywhere.
一时间，随处可见模仿、恶搞《忐忑》的网络视频。
Soon online videos imitating, or parodying the song were everywhere.
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