虽然仍有人利用数学及统计学的概率公式,将音高、力度、节奏各元素作不同的设计,可是它们所显现的,只是更精密、更机械化,缺少感情与人性。
Although the tendency of applying mathematics and statistics to musical parameters has continued, the resulted works often appear rigorous and mechanical and sound avoid of emotion and humanity.
虽然仍有人利用数学及统计学的概率公式,将音高、力度、节奏各元素作不同的设计,可是它们所显现的,只是更精密、更机械化,缺少感情与人性。
Although the tendency of applying mathematics and statistics to musical parameters has continued, the resulted works often appear rigorous and mechanical and sound avoid of emotion and humanity.
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