他把握了绘画美学的艺术理论，并从中总结出一系列绘画用语。
He has grasped the art theory of painting aesthetics and got out of some terms of painting.
中国古代绘画美学源远流长，在理论和实践两方面都有重要的价值。
There is a long history in the process of the development of Chinese painting esthetics and there is both a theory and a practice value of its own.
本文接下来重点讨论了梅清绘画美学思想及其绘画美学思想正反两方面的意义。
The next part mainly discusses Mei Qing 's thoughts on aesthetics and his positive and negative significance when his painting is taken into consideration.
他的绘画理论和绘画创作使中国绘画美学得以系统体现。并出现了抽象美的萌芽。
It is possible for his painting theory and creation to make China painting aesthetics systematizing, at the same time it appears the seeds of abstract beauty.
可以说研究康定斯基的抽象绘画理论是开启西方20世纪现代主义绘画美学的钥匙。
We can say that the research of Kandinsky's abstract painting theory is the key to the western 20 century Modernism painting Esthetics.
在此基础上，又以他的作品、画论、钤印为依据，进一步探索边氏的绘画美学思想。
Generally speaking, as an influential painter and man of letters, Bian is worthy of being further studied from the aspects of painting characteristics and aesthetics.
六朝流传至今的山水绘画美学主要见诸晋末宋初宗炳的《画山水序》和王微的《叙画》。
The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing's Preface to mountains-and-waters painting and Wang Wei's on painting.
这三方面表现出荆浩对中国绘画美学思想的承续与拓展，从而开创北宋以下千年绘画之新局面。
The above were the contribution of Jinghao to Chinese drawing and he started the new phase from North Song Dynasty.
他提出的“传神”论在中国绘画美学史上具有重要意义，对今天研究中国人物画的创作仍有积极意义。
The discuss of other artists on the relations of form and verve for our figure painting to explore necessary supplementary, theory and practice have been perfect.
这种艺术语言建立在他此前所进行的绘画自律性的广泛探索之上，一种新美学开始形成。
The artistic language was based on the wide exploration into the painting autonomy he made before, and the new aesthetics formed.
闻一多提出的包括音乐美、绘画美、建筑美在内的新诗“三美”理论，是十分重要的新诗美学理论创见。
"Three beauty" theory put forward by Wen Yiduo, including the beauty of music, painting and architecture, is an important pioneering insight.
保罗·高更是19世纪法国后印象主义绘画代表人物，他用感性的方法去观察自然、解释自然，形成了自己的艺术美学观。
Paul Ganguin was a French representative of impressionism painting in 19th Century. With geist way, he formed his own art aesthetics through observation and explanation of nature.
园林设计成为了一门艺术，它从一开始就与山水绘画的美学思想存在着千丝万缕的联系，是各种艺术与园林融为一体的荟萃艺术。
Landscape design has become an art, which from the outset with the aesthetics of landscape painting thought there is inextricably linked, are a variety of art and landscape into one meta-art.
而就绘画语言而言，这两个时期的作品的美学倾向基本上还是偏向于一种学院式的、较为收敛的语言探索。
Nevertheless, from the aspect of language of drawing, the aesthetic trend of works during these two periods fundamentally tends to be an academic and reserved language exploration.
在中国传统绘画的美学体系建构上，形式美是一个非常重要的环节。
In the aesthetics system form of Chinese traditional painting, the beauty of form is a very important tache.
他现有的风格正是这种中国绘画技法和西方审美学相结合的产物。
His present style is a combination of this western aesthetic and Chinese technique.
形感作为一个整合了美术美学和造型艺术形式规律的观念，在吴长江绘画中得到了适当的诠释。
Form as a concept integrating fine arts aesthetics and formal rules is well annotated in Wu Changjiang's paintings.
传统文人画抒情写意的美学思想在绘画商品化的历史语境中获得了新的表达方式。
The aesthetics thought of expressing emotion and writing mood in traditional literators 'painting acquired new expression under the historic context of painting marketing.
我国民间年画艺术这一绘画体裁，有它自身的美学原理。
The Spring Festival pictures, a folk art in China, have their own aesthetic principles.
在我的许多设计作品中充满了中国绘画的传统美学。
There are a lot of Chinese traditional aesthetics in my architectural drawings.
梅清是明清之际“黄山画派”的代表人物之一，他的绘画艺术和美学思想在中国画史上都有重要的地位和影响。
Mei Qing is one of the representatives of "the Painting School of Yellow Mountain" during the Ming and Qing Dynasty.
李戈晔的绘画似乎从来都不曾属于过那种风尚美学的范畴。
The paintings of Li Geye never belong to the category of faddish esthetics.
这种语言构成了武明中绘画的美学核心，既折射出对人的脆弱心理学的分析，又表现出透明社会学的指涉意义。
The language became the aesthetic core of Wu Mingzhong's painting, it not only reflects the analysis of people's fragile psychology, but also presents the implication of transparent sociology.
从绘画走向动画、电影，提供了一种全新的美学和视觉经验。
The shift from painting to animation and film has provided an entirely new aesthetic and visual experience.
每个造型形象为了突出各自表演流派的美学特色出发，而都采用了与之相适应的绘画形式。
In order to highlight the aesthetic characteristics of their respective performances, each style and image has adopted the corresponding form of painting.
文人画成熟阶段基本的美学追求以及一些代表性的特征，在苏轼的绘画作品中已经得到比较明显的展示。
Su Shi's paintings demonstrate clearly the basic aesthetic ideals and representative characteristics of literary painting in the sta ge of full development.
汪曾祺作为一位具有独特美学追求和深厚艺术功力的作家，精通中国的绘画之道，并把其中有益的思想成功融入小说创作中。
As one of the most famous writers with unique comprehension on aesthetics, Wang Zengqi has a good command of Chinese Painting.
我们做了绘画，解释的美学。
我们做了绘画，解释的美学。
应用推荐