然而，还有一部分八零后的艺术家，他们热衷于绘画形式语言的探索，在空间感，质感的表现都做出了很大的突破。
However, some of the artists of 80's are fascinating about the endeavor of the linguistic way of painting and they make great breakthroughs in the expression of space and quality.
第三节对弗洛伊德晚期绘画中的形式语言，诸如构图、空间、笔触、肌理、色彩等做了进一步的分析和探讨。
In the third quarter in, Freud painting of the late form of the language, Such as composition, space, brushwork, texture, color, etc, do further analysis and discussion.
就绘画本身而言，存在的形式语言是真正表达艺术家感觉的直接途径。
To the painting itself, the existence of the form language is the real direct path that can express an artist's feels.
本文从四个部分对西方现代绘画的空间形式语言进行了深入的分析和思考。
This thesis explores into the formal language of western contemporary painting, which is made up of four chapters.
无论是传统写实绘画还是现代写实绘画，都经常通过一定的形式语言表达一定的观念和主张。
Either traditional or modern realistic paintings usually express certain conceptions and views by certain language forms.
综合绘画媒材是艺术家表现情感和行使精神创造的载体，其形式语言具有现代性、情感性、表现性。
The shape of the external spaces are expressed through the form languages such as points, lines, planes.
本文主要围绕绘画中的“混沌”之象展开论述，指出绘画中的“混沌”不仅是一种形式语言，更是一种艺术观念和艺术思维方式。
The"Chaos"phenomenon in the painting is discussed mainly in the dissertation, the"Chaos"is not only a formal language, but also artistic conception and thinking manner of art.
本文主要围绕绘画中的“混沌”之象展开论述，指出绘画中的“混沌”不仅是一种形式语言，更是一种艺术观念和艺术思维方式。
The"Chaos"phenomenon in the painting is discussed mainly in the dissertation, the"Chaos"is not only a formal language, but also artistic conception and thinking manner of art.
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