反讽作为一种文学技巧，主要分为言语反讽、情景反讽、结构反讽和模式反讽四种类型。
It generally falls into four categories:verbal irony, dramatic irony, structural irony and mode irony.
从反讽概念的历史流变来看，它主要经历了传统反讽、浪漫反讽和新批评作为一种结构原则的反讽三个阶段。
The historical change of irony's connotation mainly contains three stages: traditional irony, romantic irony and the irony as a kind of construction principle of New Criticism.
在新批评理论家那里，反讽是一种诗歌的普遍结构原则。
For theorists of New Criticism, irony is a general structural principle of poems.
情境反讽巧妙地融入奥斯丁小说的结构中。
Situational irony is woven into the structure in Austen's novels with subtlety and skill.
也有人曾研究反讽，但还是脱离不了研究那几首短篇戏剧独白诗时反讽结构的影响；
There has also been research from a perspective of irony, which is limited to the structure of this poem.
四部小说在结构上讲究对称和谐，在情节设置上善于反复迭现相似的情节或细节，在修辞方法上长于运用反讽手法。
Four Novels of symmetry in the structure of stress harmony, repeated in the plot set on a good plot or Diego are similar to the details of the method in the rhetorical use of irony in practice longer.
同时，吴晨骏在诗歌语言技巧方面，经历由象征向隐喻的嬗变和由写实向对写实的反讽，并且在诗歌创作过程中形成“回忆”和“他者”两种结构范式。
Meanwhile, his poetic language technique has undergone a transformation from symbolism to metaphor; he has formed two patterns of poetic creation: "retrospection" and "others".
同时，吴晨骏在诗歌语言技巧方面，经历由象征向隐喻的嬗变和由写实向对写实的反讽，并且在诗歌创作过程中形成“回忆”和“他者”两种结构范式。
Meanwhile, his poetic language technique has undergone a transformation from symbolism to metaphor; he has formed two patterns of poetic creation: "retrospection" and "others".
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