第一部分是论述自然文化所蕴含的精神追求及其精神还乡。
The first part discuss mental chase in the nature culture and notion hometown.
颠沛流离的生活现实，使故乡的回忆变得清晰和温暖，创作于是成为一种对故乡的怀念和精神还乡的形式。
The vagrant life in reality turns the native memory into clarity and warmth. In this sense, writing becomes a way of remembering one's homeland and going home in spirit.
因此，泰华作家在不同时期与祖籍国的联系并不是一种简单的精神还乡，而是在不同历史时期对自身身份的文化表述。
So Thai Chinese writers' connection to their homeland is not only a simply spirit return, but also an expression to their own identity.
而在《还乡》中，巴黎又成为了女主人公向往的美好家园，因为那里有道德上的无束，精神上的自由，可以给她带来活力与激情。
But in the Return of the Native, Paris becomes the bright home that the heroine yearns for, because there is no moral constraint and has spirit freedom, and she can bring vigor and passion to her.
而在《还乡》中，巴黎又成为了女主人公向往的美好家园，因为那里有道德上的无束，精神上的自由，可以给她带来活力与激情。
But in the Return of the Native, Paris becomes the bright home that the heroine yearns for, because there is no moral constraint and has spirit freedom, and she can bring vigor and passion to her.
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