19世纪末和20世纪初的人类学家们拥护的最广为接受的理论认为，戏剧起源于神话和宗教仪式。
The most widely accepted theory, championed by anthropologists in the late nineteenth and early twentieth centuries, envisions theater as emerging out of myth and ritual.
地理环境、宗教信仰、文学作品、寓言神话、风俗习惯、人与动物、体育娱乐等是英语习语形成的文化背景。
English idioms are formed in the cultural context of geographical environment, religious, belief, literary work, fable myth, manners and custom, human and animal, sports and entertainment.
但由于受民族心理、宗教信仰、神话传说等文化差异的影响，数字被赋予了丰富的文化内涵。
But because of the cultural diversity found in the national psychology, religious belief and mythology, Numbers are endowed with abundant cultural connotations and associations.
诗人运用象征隐喻的神话模式，将现实与理想、古代与当代、宗教与异教杂糅在一起，构成了一幅充满艺术想象的虚幻世界。
By using the mythology pattern standing for metaphor, the poet blended reality and ideal, ancient times and modern times, religion and paganism, forming a visionary world full of artistic imagination.
受世界文学“神话复兴”潮流以及日本传统文化原始宗教信仰的影响，宫氏动画充满魔幻的色彩，主要角色大都具有神奇的魔力；
Influenced by the trend of "mythology revival" in the world literature and primitive religion in Japanese traditional culture, HayaoMiyazaki's cartoons are filled with magic features.
总之，维柯的诗学体系极为复杂，他站在古典立场，融进了古典神话诗歌的灵魂——宗教信仰，又掺和着现代哲学的知识论。
The poetics of Vico is very complex, he stood on the classical position and built into the soul of classical poetry-Religious beliefs, and blending of modern knowledge of philosophy.
民间文化意象源自古老的神话传说及与之相关的宗教仪式，它们承载着原始先民的生存状态、原始信仰和观物运思方式。
Folk cultural images originate from ancient legends and their related religious rites. They are the vehicles of the existence situation of the primitive people and their ways of thinking.
好，现在回到《创世纪》的第一章，这里并没有宗教信仰也没有神话传说，在开篇中也没有上帝的传记，这也就意味着没有一个无量的国度。
So returning to Genesis 1, We have an absence of theology and mythology in the sense of a biography of God in this opening chapter And that means the absence of a meta-divine realm.
这首以诺苏文字书写的诗歌体现了传统的灵魂救赎圣歌的文体特征，包含了许多关于自然界，超自然界，神话，信仰和宗教仪式的意象。
The poem, written in Nuosu, draws on stylistic features of traditional soul retrieval chants and incorporates many images of physical nature, the supernatural, mythology, belief, and ritual.
这首以诺苏文字书写的诗歌体现了传统的灵魂救赎圣歌的文体特征，包含了许多关于自然界，超自然界，神话，信仰和宗教仪式的意象。
The poem, written in Nuosu, draws on stylistic features of traditional soul retrieval chants and incorporates many images of physical nature, the supernatural, mythology, belief, and ritual.
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