白南准在其艺术生涯里主张让电视及大众媒体的沟通更大众化。
Throughout his career, Paik celebrated the democratizing possibilities of television and mass media communication.
白南准很早就开始以录像作为媒介，探索他的概念与大众之间产生再生可能性的机会。
Paik quickly seized on the possibilities of video as his primary medium, employing it in his exploration of the generative possibilities of the chance encounter between his concepts and the public.
摄像技术最早出现于20世纪20年代，1965年激浪派艺术家白南准创作的录像装置则使录像成为一种新的艺术形式。
Videography technique came forth in 1920s. And in1965, Fluxus artist Bai Nanzhun created a video installation and made the video a kind of new art form.
摄像技术最早出现于20世纪20年代，1965年激浪派艺术家白南准创作的录像装置则使录像成为一种新的艺术形式。
Videography technique came forth in 1920s. And in1965, Fluxus artist Bai Nanzhun created a video installation and made the video a kind of new art form.
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