“他把主体从原来的画面中除去，而这幅画的主体又是一座已不复存在的建筑，这是一个完美的隐喻。” 斯托尔说。
“He applied the techniques of unpainting to his subject, but since the subject is the erasure of a building, it’s the perfect metaphor, ” Storr says.
“他把主体从原来的画面中除去，而这幅画的主体又是一座已不复存在的建筑，这是一个完美的隐喻。” 斯托尔说。
“He applied the techniques of unpainting to his subject, but since the subject is the erasure of a building, it’s the perfect metaphor, ” Storr says.
应用推荐