六朝流传至今的山水绘画美学主要见诸晋末宋初宗炳的《画山水序》和王微的《叙画》。
The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing's Preface to mountains-and-waters painting and Wang Wei's on painting.
宗炳追随慧远并接受“形象本体”之学，这是形成《画山水序》前瞻性的山水画理论的内在原因。
Zong Bin followed Hui Yuan and accepted his "imaginary ontology". This was the innate reason of the perspectiveness in his Preface for Landscape Painting.
宗炳追随慧远并接受“形象本体”之学，这是形成《画山水序》前瞻性的山水画理论的内在原因。
Zong Bin followed Hui Yuan and accepted his "imaginary ontology". This was the innate reason of the perspectiveness in his Preface for Landscape Painting.
应用推荐