她是一个典型的男权社会的牺牲品。
十九世纪的英国社会是男权社会。
English society in the nineteenth century is hierarchical with a double standard culture.
她们在精神上和物质上受到男权社会的控制。
Women were mentally and materially controlled by male-oriented society.
男女不平等的根源是私有制和男权社会的压制。
Inequality between men and women is the root cause of the right to private ownership and male social repression.
所谓“恶妇”只是男权社会对女性个性的压制与扭曲。
What is called bad women is only the pressure and distortion of patriarchal society to female personality.
第一章研究了莉莉在男权社会中处于男性目光注视下的物化身份。
The first chapter examines Lily's status as an object under male gaze in the patriarchal society.
依据女性主义的理论观点，本文对男权社会下的女性命运进行了重新解读。
In accordance with the theoretical viewpoints of feminism, the current passage offers a re-interpretation of the fate for women in a patriarchal society.
对女性的物化是男权社会抹杀不掉的罪恶，其实质是对人类平等关系的否认。
The objectification of women is the crime impossible to obliterate committed by the patriarchal society.
女性的以体貌和气质之美、衣着和修饰之美获得男权社会的更多欣赏和关注。
Women obtained attention and appreciation from man-centered society by beauty of body and makings and by beauty of clothing and make-up.
她们都深刻体会到男权社会对女性的压迫以及由此带来的女性痛苦、悲哀的人生。
They all tasted deeply the oppression of the female by the male-controlled society and the miserable and sad life of the female caused by that.
作品的女主角是一个集体象征，代表了20世纪早期西方男权社会中被异化的女性。
Her heroines are a collective symbol of the "displaced" women in western patriarchal society in the early 20th century.
她的存在，她的行动具有着深刻的象征意义，是作者委婉表达对男权社会的不满思想的一种方式。
Her existence and her actions carry some deeply symbolic meaning, which is an indirect way of expressing women's grievances against the society of male chauvinism.
然而她们团结一致，默默抵抗这个男权社会，争取平等的权利，这是她们女性自我意识觉醒的开始。
The author argues that the women characters are all full-blooded and round ones and they achieve their self-awareness by rebelling against the man-domlnated society in unity.
格拉斯贝尔用放大镜般的视角记录了男性和女性之间的潜在差异，以及女性在男权社会中的生存状态。
The clear-cut contrast reflects the author's consideration of gender relationship as well as female rights in a male-centered society.
她们意识到自己作为女性的主体存在，开始在女性受奴役、被异化、遭排斥的男权社会里发出反抗之音。
Aware of their own existence as women, they express their voice of struggle in the patriarchal society in which women are enslaved, dissimilated and repelled.
从作品中，我们可以看到，两位女作家和两位女主角一样都受着男权社会意识和男权话语的影响和制约。
In the works, we can see these two woman writers and these two heroines were all affected and restricted by the masculine society consciousness.
通过对文本和小说人物的分析与研究，领悟作者对生活在殖民地男权社会统治的女性悲惨命运的深切同情。
Doris Lessing once remarked that we live in a series of prisons called race, class, male and female.
而华顿的启示是：男权社会有一定的规则，女性如果超越这一规则，就有可能在精神领域实现一部分的梦想。
The apocalypse of Wharton is that there are certain rules in the society of men. But if the female can go beyond the rules, they can partly realize their dreams.
乔伊斯通过小说《死者》深刻反思了沉沦的男权社会，并从女性主义的角度出发，深入分析了社会瘫痪的根源。
James Joyce reflected on the decayed patriarchal society and embarked on the profound analysis of the root of the dead society from the feminist vintage point in The Dead.
本文意在通过对《玫瑰门》中关于人性的开掘，关注其男权社会中女人“类”的悲剧的主题和司绮纹的悲剧意蕴。
The paper, by digging the humanity in Gateway of Roses, intends to focus on the tragic subject of women and SiQiwen's tragic implicating in a male-dominating society.
一方面，她希望拥有那些富有的女性朋友所过的生活，因此她接受女性的他者身份，遵循男权社会的传统与规范。
On the one hand, she wants to live as her rich female friends do, so she conforms to the norms and plays her role as the Other.
一方面，她希望拥有那些富有的女性朋友所过的生活，因此她接受女性的他者身份，遵循男权社会的传统与规范。
On the one hand, she wants to live as her rich female friends do, so she conforms to the norms and plays her role as the Other.
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