论文的第一部分是张爱玲小说中的男性书写。
这还解释了为什么大多数女人的笔迹要比男性的更清晰可辨——因为女人特定的语言中枢是预先就设定好的,所以说话和书写的语言能力更佳。
This would also explain why the handwriting of most women is much more legible than that of men-women's specific language centres are pre-wired for better use of language, both spoken and written.
本文在梳理了西方和中国女性主义文学批评的理论资源的基础上,拟采用社会性别理论分析中国当代男性文本中对女性意识的书写。
This essay aims to analyze the women's consciousness in Chinese male writers' writing with a way of gender study on the basis of sorting our western and Chinese feminism.
《山歌》中的私情歌谣从女性的视角来消解了男性建构的神话,改变了其在男性为本位的传统作品中被书写的命运,使其由被言说的他者向自我言说的主体转变。
The love songs of ShanGe had broken men's mythological world from female perspective, and had realized the transformation from an object narrated by others in traditional literary works to a narrator.
虽试图消解男权,解构男性话语中心秩序,但女人的天空终究是低矮的,难以摆脱女性被主宰、被书写的命运。
While trying to dispel male power and deconstruct the male discourse center, the sky of women is slow after all. They are difficult to get rid of the destiny 'of being dominated.
从女性主义的视角来看,古希腊神话和传说是站在男性中心的立场上书写出来的。
From female's perspective, the ancient Greek myths and legends are made by the man-centered society.
从女性主义的视角来看,古希腊神话和传说是站在男性中心的立场上书写出来的。
From female's perspective, the ancient Greek myths and legends are made by the man-centered society.
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