《大腕》、《和你在一起》与《英雄》的出现标志着中国电影人转变电影观念，将电影视为一种商品。
The emergence of a - list Celebrities, Together with You, and Hero marks the conversion of concept of movies by Chinese film artists who have begun to regard movies as a commodity.
电影观念是电影创作人员进行电影创作的潜在动力支撑，它从根本上决定了电影的艺术水准与制作层次。
The conception of film is the potential drive for film composition which determines the artistic standard and level of film.
本部分首先分析了张艺谋电影文化意蕴的现代性是受到西方现代电影观念对现代电影“应该是怎样一种艺术”的看法的影响。
Part this analyze Zhang Yimou film culture modernity of connotation to receive western modern film idea view of "what kind of art should" to modern film at first Influence.
我再也不用躺在那儿，听那些感情脆弱的傻娘们胡扯什么地球是怎么抖动的，我可以全身心的投入电影剧本的创作，为大众创造一个又一个的观念突破。
Not having to lie there and listen to all that maudlin drivel about how the earth shook freed me up to work on film scripts and develop new breakthrough concepts.
温德汉姆作品中的另一个观念，在许多现代电影中成为了公式：平凡的男女主角套上英雄的斗篷，做出不平凡的英勇之举。
And Wyndham's writing expounds an idea that is the template for many a modern film - the ordinary man, and ordinary woman, who have to take on a heroic mantle.
电影则致力于能改变人们历史观念的历史剧作。
Movies are dedicated to the historical dramas that shape our view on history.
这些（书籍、电视和电影）有着广泛的吸引力，而报纸也极大地影响了人们的思想观念。
While these have broad appeal, newspapers have done a great deal to influence the perceptions of the people.
正是“大脑控制电脑”这一观念让我们联想到科幻电影里充满异国风味和虚构技术的画面来。
The very notion of controlling a computer with the mind conjures up images of exotic, fictional technologies from sci-fi movies.
媒体中，报纸上，电影里，广播和电视中，一直都在传播这些观念。
In the media, the newspapers, the movies, on radio and television, images are spread all the time.
电影名称根据片中主角从事的职业命名，并且用隐喻的手法来象征我们的身体部位、我们的身份和我们的自我观念。
The title takes its central character's profession and turns it into a metaphor for our bodies, our identities, our perceptions of ourselves.
我们应该超越过去“文艺片”与“商业片”的二元对立思维，从娱乐性重构的角度出发，实现从娱乐电影向电影娱乐的观念转变。
This article arguments that we should go beyond the past"literary films"and "commercial films" binary opposite thinking to change the concepts from "amusing films"to "film entertainment".
这在电影里是经常出现的观念。
这些电影帮助强化了一个观念，就是用这种方式培养小孩对母子双方都是有害、不健康的。
They have helped cement the idea that bringing up a child like that was damaging and unhealthy for both parties.
许多在国外制作具有新影星和新观念的影片，使美国的电影更为充实。
Many films made abroad enrich the American screen with new faces and new ideas.
在这部电影里，我体会到的是，中国传统的文化和道德观念在巨大困难来临时是如何引领她的人民的走到今天的。
What I feel about in this movie is how Chinese tradition and culture leads her people go on and face this enormous Catastrophe.
对于中国第五代和第六代电影作品而言，空间叙事是电影叙事形式与叙事观念自然演变的结果。
For the fifth generation and sixth generation of Chinese films, the narrative space is the concept of film narrative form and narrative result of natural evolution.
他的早期电影主要探讨传统和现代观念的关系。
His earlier films frequently sought to explore the relationships and conflicts between tradition and modernity.
正是因为观念的介入，电影才成为一种艺术，具有文化的意义。
Because of the intervention of this notion, film has become an art and has its own cultural significance.
邪恶的继母或卑鄙的继兄弟姐妹，这种观念是如此深入人心，与此有关的电影更是数不胜数。
The idea of an evil stepmother or mean step siblings is so common, a lot of movies have been made about it.
本研究试图从包含经济、社会、美学的总体史观念对新千年以来两岸青春电影进行系统地论述。
This article try to systematically discuss the cross-strait youth movie from the point of general history including economic, social, and aesthetic concepts since2000.
随着中国电影艺术空间观念的进步，中国电影的创作者们也越来越注重空间在电影中的表现力。
With the concept of space in film art advances, the creator of Chinese films have also increasingly focused on the performance of space power in the film.
北野武的电影作品基本上都是自编、自导、自演的，这样使得这些电影在最大程度上保证了自己思想、观念的呈现。
Takeshi Kitano's films are basically self-wrote, self-directed and self-performed, so he assured that his thoughts and ideas can be presented integrally through the movie.
尤其是进入后工业时代以后，科幻电影在制作上获得一个整体的技术提升，科幻电影在观念传达上经历了新的洗涤。
Specially after stepping into Post-industry Society, Sci-Fi movie obtain a whole advance in technique and experience a new washing-up.
邪恶的继母或卑鄙的继兄弟姐妹，这种观念是如此深入人心，与此有关的电影更是数不胜数。
The idea of an evil stepmother or mean stepsiblings is so common, a lot of movies have been made about it.
美国人不知道有多少错误的观念被美国电影灌输入美国人的脑海里。
Americans do not how many false no6ons are put into peoples head by American movies.
美国人不知道有多少错误的观念被美国电影灌输入美国人的脑海里。
Americans do not how many false no6ons are put into peoples head by American movies.
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