电影的视象美以人为中心，也包括景、物、光影、色彩和构图。
Taking human being as the center, moving visual image includes scene, light, shadow, colour and composition.
第四章从平静而有力度的镜头运用、沉稳而不拘谨的画面构图和和谐而有寓意的颜色运用等方面分析了王氏电影的影像风格。
Chapter four analyzes image style of Wang Xiaoshuai's films, from the clam and aggressive use of the lens, steady but not over cautious picture compositions and harmony and implications of color use.
本章主要从李安电影的画面构图、镜头剪辑以及声音处理三个方面来探讨形式对于影片内容的外在表现作用。
This chapter also tries to analyze his distinctive artistic features from the perspective of smooth montage, melodic sound effect and well-designed image plane composition.
所有出色的电影，无论题材如何（no matterwhattheir subject matter），都以相同的方式展开的（begin the same way），那就是一个有清晰构图、并且聪明的作家（a brilliant writer with a clearvision）坐在那里开始剧本的创作。
All great films, no matter what their subject matter begin the same way, when a brilliant writer with a clear vision sits down to work and begins to write.
本文从影片的叙事主题、风格类型、光影、色调、构图等一系列的电影手法和独具意义的影像语言诸方面进行了深刻解读。
The general law of concrete image drawing composition is revealed from the three systems of shape language, color language and picture structure language.
这是一部电影美学构图而整体制作完整的优质纪录片，导演以一个外来者的角度，纪录黄羊川的农村生活。
YELLOW SHEEP RIVER is a comprehensively-well-delivered work with masterful cinematic aesthetics. With it, the filmmaker details the rural routines of the village life from an outsider's point of view.
这是一部电影美学构图而整体制作完整的优质纪录片，导演以一个外来者的角度，纪录黄羊川的农村生活。
YELLOW SHEEP RIVER is a comprehensively-well-delivered work with masterful cinematic aesthetics. With it, the filmmaker details the rural routines of the village life from an outsider's point of view.
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