我们还会想起《往事如烟》(电影《42年的夏天》)和《你一定相信春天》。
We also recall the Summer Knows (by the Summer of '42 movie) and You Must Believe in Spring.
它们像精神上的家庭电影一样，是往事的集合而不是全部的事实的反映。
It's the mental home movie into which they're assembled that may not bear much resemblance to reality.
例如，电影导演赛尔乔·莱翁和作曲家埃尼奥·莫里康内合作的电影《美国往事》，一部画面与音乐完美融合的作品（参见下列文章1、2)。
The filmmaker Sergio Leone and the composer Ennio Morricone, for instance, did one of the most fertile associations (see the following articles here and here).
我每天都会想到死去的战友，往事总像电影一般在脑海中回放。但我还活着，这并不是顺理成章的事。
I remember the guys I lost every day - I play the scenario in my head every time. But I'm alive, and I don't take that for granted.
照片、明信片和电影让往事在脑海中不断重现。
Photographs, postcards and films enable memories to be endlessly reproduced.
那部电影唤起她对往事的回忆。
往事如烟，像是看过一场电影，听过的一支歌，逛过的名胜，过去便是过去，无凭无据。
Past events, such as seen in smoke a film, and heard of a song, go over the places of interest in the past is the past, there questions.
往事如烟，像是看过一场电影，听过的一支歌，逛过的名胜，过去便是过去，无凭无据。
Past events, such as seen in smoke a film, and heard of a song, go over the places of interest in the past is the past, there questions.
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