从1997年开始,她致力于将自己独创的视觉艺术应用于电影和视频,并将新媒体和历史素材相结合。
Since 1997 she works on her autonomous visual art with film, video and the combination of new media and historic footage.
是早期电影以及动画等视觉媒体形成和传播的根据。
It is the basis on which early visual media, like films and animation were formed and transmitted.
本文试图深入剖析电影这个媒体以及电影片名的特点与功能,从内部和外部的视觉角度来探究电影片名翻译的各种情况。
The present thesis attempts to delve into the medium of film along with the characteristics and functions of film title, and to study film title translation from internal and external perspectives.
相对来讲,我们对抽象艺术家的所知甚少,他们实验性地尝试电影和其他基于时间的视觉媒体,如互动或虚拟环境和指定场地的艺术装置。
Relatively less is known about abstract artists who experimented with film or other time - based visual media such as interactive or virtual environments and site specific installations.
相对来讲,我们对抽象艺术家的所知甚少,他们实验性地尝试电影和其他基于时间的视觉媒体,如互动或虚拟环境和指定场地的艺术装置。
Relatively less is known about abstract artists who experimented with film or other time - based visual media such as interactive or virtual environments and site specific installations.
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