在瓦格纳歌剧“特里斯坦与伊索尔德”中,生命的的释放是由一个女人自我牺牲的爱来完成的,她准备好分享她所爱之人的虚无,并与他在死亡中结合。
In Tristan and Isolde, this release from life is achieved by the self-sacrificial love of a woman who is prepared to share her lover’s non-existence and unite with him in death.
他十几岁的时候就会弹奏瓦格纳的歌剧“特里斯坦与伊索尔德”中的钢琴二重奏,甚至在他癫狂于1889年1月的都灵之时,也仍然会弹奏一曲。
As a teenager he played Wagner's Tristan und Isolde in a piano duet; and he also played it when in a grip of madness in January 1889 in Turin.
瓦格纳和阿尔金使用互赖理论和博弈论来开发算法,评估在特殊场景下欺骗的价值。
Wagner and Arkin used interdependence theory and game theory to develop algorithms that tested the value of deception in a specific situation.
在巴塞罗那,诸如安东尼·高迪(Antoni Gaudí)或者多梅内克·蒙塔内尔(DomènechiMontaner),想必同时是艺术家和营造商,维也纳的奥脱·瓦格纳(Otto Wagner)或者格拉斯哥的查尔斯·雷尼·麦金托什(Charles Rennie Mackintosh)也是如此。
In Barcelona, the likes of Antoni Gaudí or Domènech i Montaner were surely artists as well as builders, as were Otto Wagner in Vienna or Charles Rennie Mackintosh in Glasgow.
《特里斯坦与伊索尔德》是德国歌剧大师瓦格纳经久流传的代表作之一。
《Tristan und Isolde》 is one of the long-spread representative works by German opera master wagner .
描述:4。马略尔卡住宅;维也纳,奥地利:怪诞,奇异,惊人,奥托·瓦格纳的作品是新艺术运动中最伟大的作品。
Caption: 4. Majolica House; Vienna, Austria: Whimsical, singular, and down-right amazing, Otto Wagner's masterpiece is one of the greatest products of the Art Nouveau movement.
这首四重奏的风格揭示了古尔德对布鲁克纳、瓦格纳和理查·斯特劳斯的喜爱。
The style of the quartet reflects Gould's love for Bruckner, Wagner, and Richard Strauss.
最后,维尔兰继承了导演事业,摒弃了传统的理念,将瓦格纳作品焕然一新,巩固加强了音乐节不可撼动的地位。
It was Wieland who took over the directorship and, by dispensing with much of the traditional symbolism of Wagnerian production, not only restored Bayreuth's reputation but enhanced it.
最后,维尔兰继承了导演事业,摒弃了传统的理念,将瓦格纳作品焕然一新,巩固加强了音乐节不可撼动的地位。
It was Wieland who took over the directorship and, by dispensing with much of the traditional symbolism of Wagnerian production, not only restored Bayreuth's reputation but enhanced it.
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