琵琶是一种音色清亮的四弦乐器，其形如梨，演奏时被竖抱于膝上。
The pipa is a sonorous, four-stringed, pear-shaped instrument held upright on the lap.
在美国期间，吴女士大胆扩展了琵琶的演奏范围，与相应的乐器手共同弹奏爵士乐、蓝草音乐、宝莱坞电影音乐，并且激发一些知名作曲家谱写了众多作品。
During her time in America, Ms Wu has daringly expanded the pipa's range, playing jazz, bluegrass and Bollywood with eclectic instrumentalists—and inspiring numerous works from prominent composers.
下周五，中国琵琶演奏家吴玉霞将在国家大剧院举行飞雪迎春独奏会。
Next Friday, Chinese musician Wu Yuxia will give a Pipa concert. "for this concert, I prepared both a solo and band performance."
杰出的琵琶演奏家吴蛮将引领这次演出。琵琶是一种中式的鲁特琴，音色铿锵有力(如果把它当做特鲁琴的话)。
These will be curated by Wu Man, the brilliant virtuoso on the pipa, a Chinese lute with an assertive voice (if such a thing can be imagined in a lute).
在这部专辑中，中国琵琶的美妙琴声由邵荣演奏。
In this album, the beautiful Chinese lute music is played by the female lute player Shao Rong from Shanghai.
戏台前的看戏厅现辟为休闲茶馆。一片茶香氤氲中，茶艺表演，琵琶演奏、京戏、川戏……你方唱罢我登场。
The audience benches in front of the stage is now a tea house, tourists can enjoy the relaxation with a cup of tea and the performance of tea show, Pipa playing, Beijing opera and Sichuan opera.
琵琶音乐具有旋律性的特点，作为一种弹拨乐器，琵琶在演奏中旋律线的表述是以“点”来完成的。
As a plucked stringed musical instrument, Pipa music is of melody character and for expresses the melody lines by dots in performance.
他经常举行古怪的音乐会，让一些疯狂的吉卜赛人在小筝上演奏粗犷的音乐，或是让一些面容庄严，戴黄头巾的突尼斯人拨弄绷紧的琵琶弦。
He used to give curious concerts in which mad gypsies tore wild music from little zithers, or grave, yellow-showed tunisians plucked at the strained strings of monstrous lutes.
弹挑技法在琵琶演奏中具有重要作用。
This paper introduced the importance and function of flipping and picking in the lute playing.
其次，本场音乐会中另邀请到国内二位相当优秀的演奏家参与演出，包括琵琶演奏家郑闻欣及钢琴演奏家陈冠宇。
Moreover the concert has also extended invitations to two renowned professionals to partake the staging including the pipa performer wen-shin cheng and the pianist guan-yu chen.
我们听着年轻的琵琶手演奏，简直着了迷。
We listened to the young lutist as though we were under a spell.
探究程午加琵琶演奏技艺的渊源，总结其演奏的风格与特色，同时对其琵琶教学相关问题进行阐述。
Part 3 discusses Cheng Wujia's lute performing styles and features and some relevant issues concerning lute teaching and learning as well.
探究程午加琵琶演奏技艺的渊源，总结其演奏的风格与特色，同时对其琵琶教学相关问题进行阐述。
Part 3 discusses Cheng Wujia's lute performing styles and features and some relevant issues concerning lute teaching and learning as well.
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