她们分别代表了毛姆心目中女性的三种形象——可悲的“天使”、“女恶魔”和理想女性。
They are Aunt Carey, Mildred and Sally, who respectively represent the authors three woman images—tragic angel, she-devil and ideal woman.
他们还设计了融挚友、贤妻、良母为一体的理想女性形象。
They even design an ideal female image fused good friend, virtuous wife and good mother.
这三部分之间相互联系，共同展示出的是一个有情感、有才华、有理想，既柔婉又刚强的女性自我形象。
The above mentioned three integral parts projects a feminine image full of emotion, brimmed with talent and aspiration, soft, mild yet unyielding in moral quality.
理想中的女性形象，既是男人心中迷恋的女神，也是女性极力模仿的女神。
The ideal female form is the goddess that men adore and that women seek to imitate.
第二是解构了男性心目中理想的女性——一贤妻良母形象；
Second, deconstruct the ideal female in male's eyes- a good wife and a loving mother.
这类形象包括三种类型：理想型、令人讨厌型、温柔但无法沟通型，作者对这三种女性有着完全不同的态度。
Such images include three types:an ideal type, nuisance type, soft type but can not communicate with her husband, the authors of these three kinds of women have a completely different attitude.
第五部分，“女性形象”——男性审美理想的载体。
In the fifth part, we talked about the aesthetics explanation of 'female visualize'.
《花间集》中美艳而多情的女性形象的描绘体现了男性理想的期盼，实际上是男性词人对女性心理期待的诗意化表达。
The elegant female images full of passion in Huajianji embody the males expectation of ideal and also represent the males poetic expressions to the female.
第四部分则从林语堂小说创作的四个方面：死亡意蕴、迷人的女性形象、田园式都市文化理想以及“闲谈”文体等来微观阐释林语堂小说的文化意蕴。
From the dead implication, the charming females, the cultural idea of countryside and city, the style of chat, the fourth part explains the cultural implication of Lin Yutang's novels.
诗人塑造出一系列“反英雄”的男性形象和理想化的女性角色，构成其男性-英雄怀疑论。
By created a collection of figures of anti-hero men and idealized women, the poet established his own skepticism toward masculine-hero.
你理想中的女性形象应该如何？
张洁之所以这样塑造女性形象源于她的童年经历的投影、中国传统文化的熏陶以及张洁个人理想的建构。
The reason why Zhang Jie creates these images of women stems from her childhood experience of projection, China's traditional culture, as well as Zhang Jie's personal edification ideal structure.
张洁之所以这样塑造女性形象源于她的童年经历的投影、中国传统文化的熏陶以及张洁个人理想的建构。
The reason why Zhang Jie creates these images of women stems from her childhood experience of projection, China's traditional culture, as well as Zhang Jie's personal edification ideal structure.
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