是的，一开始觉得它给我们一个重塑（韩国）80年代的机会，你可以说这是一部现实主义影片。
Yes, when you look at the beginning it gives us a chance to recreate the 1980s, so you could say it's a realist film.
所以我很小的时候就接触到了所有的意大利新现实主义的经典影片，这对我的思想产生的巨大的影响。
So at a very early age I was exposed to all the Italian Neorealist classics, which had a profound effect on my psyche.
作为新现实主义电影的摇篮，意大利电影更注重影片的写实风格与真挚情感的流露。
As the cradle of Neo-realism, the focus of Italian movies is on the realistic descriptions and the expressions of feelings.
两部和讽刺意味的超现实主义及约翰·c·赖利颇有联系的影片《龙虾》和《故事中的故事》角逐戛纳电影节上“最离奇的电影”。
"The Lobster" and "Tale of Tales" - two films bound by a wry surrealism and John C. Reilly - vied for most bizarre of the Cannes competition.
这部影片也没有简单地将现实主义元素与带有奇幻色彩的元素截然分开。
Nor does the film simply separate its realistic elements from its fantastic ones.
这部影片也没有简单地将现实主义元素与带有奇幻色彩的元素截然分开。
Nor does the film simply separate its realistic elements from its fantastic ones.
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