王国维是中国现代美学的奠基者。
第一部分：现代美学精神的初步建立。
The first part: Establishment of the spirit of the modern esthetics.
现代美学亦不是传统美学。
未来主义的现代美学。
宗白华是中国现代美学、文艺学的奠基人之一。
Zong Baihua is one of the founders of Chinese modern Aesthetics and Theory of Literature and Art.
崇德广业，辉光日新：阴阳之道对现代美学的启示。
Sixth, Dao of yin-yang, its inspiration for contemporary aesthetics.
这涉及到一个传统美学如何向现代美学转换的问题。
It 's about how to transfer traditional aesthetics to modern aesthetics.
他也设计了无数的图书封面，每个设计都抓住了现代美学的精髓。
He also designed countless book covers, which captured the spirit of the modernist aesthetic.
现代美学强调立身于其中的非理性，强调内在、协合。
Modern aesthetics strengthens on the internal irrationality, the inner beauty and the harmony.
对审美主体性的阐释是现代美学研究的一个核心性主题。
The explanation of the aesthetic subject is the core topic of aesthetics.
本文以现代美学作为审视角度，梳理与研究了嵇康的音乐艺术思想。
This article takes modern aesthetics as its examining angle and closely studies Ji Kang's music and art thought.
作为现代美学分支学科的审美社会学正是这个研究方向的集中体现。
As a modern aesthetic branch of the aesthetic direction of the study of sociology is the concentrated expression.
从这个意义上说，中国现代美学的一个突出特点是美育理论的丰富和深刻。
In this sense, one of the most outstanding features of modern Chinese aesthetics is the richness and profoundness of aesthetic education theories.
现代美学的衰落催生了审美文化研究，审美文化的勃兴又使美学的转型成为可能。
The decline of modern aesthetics leads to the boom of the research about aesthetic culture and this resnlt makes the aesthetics transformation possible.
当然，时代所赋予我们新的审美观念，用现代美学理念诠释的传统山水美学特征。
Of course, the era gives us a new aesthetic concepts, concepts with modern aesthetic interpretation of aesthetic characteristics of traditional landscapes.
但在西方现代美学中，维特根斯坦和伽达默尔分别创制了语言游戏和艺术游戏的概念。
However, Wittgenstein and Gadamer respectively created the notion of "language-game" and "art-game" in western modern aesthetics.
其陶瓷作品追求朴实、清新、典雅的艺术风格，既有传统工艺特色，又有现代美学韵味。
Her ceramic works are simple, fresh and elegant, with both traditional art characteristics and modern aesthetic charms.
现代美学的玩耍性说到底是其最突出的，也是最严肃的，而必然地也是最令人不安的特征。
The playfulness of the modern aesthetic is the most striking and serious feature and, as a natural conclusion, it is also its most upsetting feature.
前者具有永恒的生命力，后者却是瞬时的、速朽的。这体现了传统美学与后现代美学的不同。
The former has eternal vitality, but the latter only have short life which show the differences of between traditional aesthetics and Post-modern aesthetics.
该文以近代认识论美学为背景，阐明了艺术欣赏在现代美学新视野的审视之下所发生的变化。
By contrast of the epistemological aesthetics, the paper clarifies the quality of the appreciation in the eye-view of modern aesthetics.
中国现代美学经由“心性论”而与传统美学血缘相关，同时也由“心性论”与西方美学相关联。
The thesis upholds that the "disposition" is the joint between modern Chinese aesthetics and the west aesthetics.
现代版“图腾崇拜”的大众文化生成的语境包括：现代美学内涵的被颠覆，“新美学”的流行；
The modern-type contexts created from "totem-worshipping" popular culture include: overthrow of the content of modern aesthetics and popularization of "new aesthetics";
针对这种情况，本文对吕澄先生的美学思想进行了梳理，拟为现代美学的梳理工作尽一份绵薄之力。
In view of this situation, the paper intends to organize the work of modern esthetics and contributes to Mr. Cheng Lu's esthetic thinking.
优美的桌面线条、巧妙的元素搭配，是灵感与创意的结晶，颇具艺术的外表演绎着现代美学之内涵。
Its beautiful table top line and harmonious combination is the inspirational and original rime, and their sculptural appearance deduces the modern aesthetic connotation.
中国的一些城市，像上海和武汉，部分地受到法国城市规划的启发，成功地把现代美学与环保相结合。
Some Chinese cities, like Shanghai and Wuhan, are partly inspired by French city-planning, which successfully combines modern aesthetics with environmental care.
海德格尔美学在存在维度上标志着西方现代美学的完成，而在语言维度上又标志着西方后现代美学的开始。
Heidegger's aesthetics symbolizes the end of modern aesthetics from the view of being and the beginning of post-modern aesthetics from language.
19世纪60年代，后现代美学以西方传统美学的否定者的身份登上历史舞台，对传统美学进行了彻底的颠覆。
In the 1960s, postmodernist aesthetics got on the historical stage in the status of a negator to the Western traditional aesthetics, and totally subverted traditional aesthetics.
波德莱尔的美学观形成了一个极具现代性的、独特的体系，对现代美学及艺术产生了深远的影响，具有极为复杂的特性。
Baudelaire's complicated aesthetic thought was an extremely modern and unique system, and had a far-reaching influence on the modern aesthetics and art.
办公建筑的外观造型、建筑构件的处理和环境总平面的处理要采用建筑的使用功能和现代美学构成相结合的方法来进行设计。
Office building appearance component processing and outer environment plan processing must use the way that synthesize the function and the modern esthetics in design.
办公建筑的外观造型、建筑构件的处理和环境总平面的处理要采用建筑的使用功能和现代美学构成相结合的方法来进行设计。
Office building appearance component processing and outer environment plan processing must use the way that synthesize the function and the modern esthetics in design.
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