要在现代社会中生存，他们需要像女性一样，学习新的生活方式。
They need to learn new ways for modern survival just like women do.
《浮生六记》中的陈芸以其内蕴的丰富性和特异性而成为中国古代文学史上具有现代意义的“新女性”形象。
The heroine Chen-yun in the Six Chapters of Floating Life is the "new female" character in the Chinese ancient literature because of the luxuriant and distinctiveness that she implied.
雪林属于那种从闺秀走向新女性的过渡性人物，思想性格始终徘徊在传统与现代之间。
SuXueLin belongs to that kind from demurely moves towards the new feminine transition character, the thought disposition throughout paces back and forth between the tradition and the modern age.
后现代女性主义课程研究是一个新的研究视角，也是一个时间不长的研究话题。
The research of postmodern feminism is a new research view, and it is a new research topic.
女性主义从后现代主义那里引入了差异概念与权力话语理论，使其对“逻各斯中心主义”与传统形而上学的解构与批判达到了一个新的高度。
Borrowing "difference" concept and "power discourse" theory from postmodernism, feminism has pushed its deconstruction and criticism to logos-centrism and traditional metaphysics to a new height.
然而，在这个旅游业和商业发达的现代社会里，潜海者的女性后继者也正寻找着新的社会角色。
These 11 heiresses, however, are searching for different roles in a modern society, where tourism and business flourish.
堕落女性，冉升明星，新的视野：试论作为白话现代主义的上海无声电影。
Fallen Women, Rising Stars, New Horizons: ShangHai Silent Films as Vernacular Modernism.
堕落女性，冉升明星，新的视野：试论作为白话现代主义的上海无声电影。
Fallen Women, Rising Stars, New Horizons: ShangHai Silent Films as Vernacular Modernism.
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